1 1 00:00:00,330 --> 00:00:00,960 7eventh Heaven. 2 2 00:00:02,350 --> 00:00:04,899 Now we're going to learn about the 7th chords. 3 3 00:00:04,899 --> 00:00:08,857 If you look at most songbooks, you'll see many chords with the number 7. 4 4 00:00:08,857 --> 00:00:14,220 C Major 7, C7, G7, D Minor 7, and so on. 5 5 00:00:14,220 --> 00:00:19,683 The reason to learn 7th chords is that it's a very easy way to add interest and 6 6 00:00:19,683 --> 00:00:22,301 color to basic chord progressions. 7 7 00:00:22,301 --> 00:00:26,921 So far you've been playing basic three-note chords, triads. 8 8 00:00:26,921 --> 00:00:32,471 [SOUND] When you add a 7th, it gives a much more interesting sound. 9 9 00:00:32,471 --> 00:00:39,832 [SOUND] There are two types of 7th. 10 10 00:00:39,832 --> 00:00:42,316 Major 7th chord. 11 11 00:00:42,316 --> 00:00:44,881 [SOUND] That's C Major 7. 12 12 00:00:44,881 --> 00:00:48,988 And a seven chord, 13 13 00:00:48,988 --> 00:00:53,356 [SOUND] that's C7. 14 14 00:00:53,356 --> 00:00:54,438 I am going to teach you a very easy formula which will help you add 15 15 00:00:54,438 --> 00:00:55,020 a 7th to any chord, instantly. 16 16 00:01:01,280 --> 00:01:04,520 You won't really need to know the theory behind 7th chords, but 17 17 00:01:04,520 --> 00:01:10,250 it will be useful to look briefly at where the 7 comes from in the first place. 18 18 00:01:10,250 --> 00:01:12,860 Chords are built on scales. 19 19 00:01:12,860 --> 00:01:16,485 Chord note numbers come from these scales. 20 20 00:01:16,485 --> 00:01:19,770 So, look at the scale of C major and count the notes. 21 21 00:01:19,770 --> 00:01:21,429 So, there's C major. 22 22 00:01:21,429 --> 00:01:25,559 [SOUND] So 1, 2, 3, 4, 23 23 00:01:25,559 --> 00:01:29,524 5, 6, 7, back to 1. 24 24 00:01:29,524 --> 00:01:37,163 Chord of C [SOUND] uses 1, 3, 5. 25 25 00:01:37,163 --> 00:01:41,422 Chord of C major 7 uses 1, 3, 5. 26 26 00:01:41,422 --> 00:01:42,908 And yep, you guessed it. 27 27 00:01:42,908 --> 00:01:47,065 [SOUND] Number 7 [SOUND]. 28 28 00:01:47,065 --> 00:01:49,944 Now let's look at the scale of C7. 29 29 00:01:49,944 --> 00:01:54,263 And this is slightly different from the scale of C major 7. 30 30 00:01:54,263 --> 00:01:56,805 Cuz C7 has a B flat. 31 31 00:01:56,805 --> 00:01:57,942 Okay? 32 32 00:01:57,942 --> 00:02:04,641 [SOUND] C major 7 is [SOUND]. 33 33 00:02:04,641 --> 00:02:05,848 C7 is. 34 34 00:02:05,848 --> 00:02:13,685 [SOUND] So the chord of C uses 1, 3, 5. 35 35 00:02:13,685 --> 00:02:18,328 1, 2, 3, 4, 5, 6, 7. 36 36 00:02:18,328 --> 00:02:21,603 So the [SOUND] 1, 3, 5, and 7. 37 37 00:02:21,603 --> 00:02:24,969 That's C7, from the C7 scale. 38 38 00:02:24,969 --> 00:02:28,719 [SOUND] So that's it. 39 39 00:02:28,719 --> 00:02:32,387 That's the basic principle behind sevens. 40 40 00:02:32,387 --> 00:02:37,075 But remember, you really don't need to think about sevens in these 41 41 00:02:37,075 --> 00:02:41,597 terms in order to be able to easily add them to your chords because I 42 42 00:02:41,597 --> 00:02:44,822 have a great memory trick you can use instead. 43 43 00:02:44,822 --> 00:02:49,238 Instead of adding the 7th on top of your chord [SOUND], 44 44 00:02:49,238 --> 00:02:52,879 it's much easier to add it below the chord. 45 45 00:02:52,879 --> 00:02:54,306 I'll show you why. 46 46 00:02:54,306 --> 00:02:59,076 [SOUND] Major 7th note is the very next key to 47 47 00:02:59,076 --> 00:03:03,327 the left of the root note of the chord. 48 48 00:03:03,327 --> 00:03:07,810 So there's C major 7, and there's the root note of the chord. 49 49 00:03:08,970 --> 00:03:11,280 And if I played it up there, so that's the same note, C, 50 50 00:03:11,280 --> 00:03:17,165 you'll notice that the 7 is just exactly to the left of the root note. 51 51 00:03:17,165 --> 00:03:19,894 [SOUND] That's the root note. [SOUND] That's anywhere, 52 52 00:03:19,894 --> 00:03:21,924 it's the same C note. 53 53 00:03:21,924 --> 00:03:24,826 [SOUND] So that's the root note, 7th is just to the left. 54 54 00:03:24,826 --> 00:03:28,204 So that's gonna be a 7th as well, [SOUND] to the left of that C. 55 55 00:03:28,204 --> 00:03:31,641 [SOUND] So you can play that note during there instead. 56 56 00:03:31,641 --> 00:03:36,702 So you've got your C, and you wanna add the 7th, but you add it below instead. 57 57 00:03:36,702 --> 00:03:44,644 So that's C major 7. 58 58 00:03:44,644 --> 00:03:48,742 A seven note, so you also play the C7 chord. 59 59 00:03:48,742 --> 00:03:53,319 [SOUND] You'll notice from the root note, 60 60 00:03:53,319 --> 00:03:57,379 the 7th note is two keys to the left. 61 61 00:03:57,379 --> 00:04:00,043 So, [SOUND] instead of playing it up there, 62 62 00:04:00,043 --> 00:04:02,859 you can play it down here two keys to the left. 63 63 00:04:02,859 --> 00:04:06,458 [SOUND] Okay. 64 64 00:04:06,458 --> 00:04:08,222 [SOUND] Play it down there. 65 65 00:04:08,222 --> 00:04:10,939 So you're moving that from there to there. 66 66 00:04:10,939 --> 00:04:13,643 [SOUND] So you know that C major 7. 67 67 00:04:13,643 --> 00:04:16,268 [SOUND] Play the C chord and 68 68 00:04:16,268 --> 00:04:21,898 the major 7 is one key to the left of the rhythm chord. 69 69 00:04:21,898 --> 00:04:25,044 [SOUND] And that's C major 7. 70 70 00:04:25,044 --> 00:04:29,869 [SOUND] C7 is [SOUND] the C chord and 71 71 00:04:29,869 --> 00:04:36,316 two notes left of the root, add that note. 72 72 00:04:36,316 --> 00:04:39,858 [SOUND] That's C7. 73 73 00:04:39,858 --> 00:04:43,620 [SOUND] So let's look at C major 7 again. 74 74 00:04:43,620 --> 00:04:46,393 [SOUND] Playing this down here instead. 75 75 00:04:46,393 --> 00:04:50,473 [SOUND] Now if you play this note, the root, in your left hand, 76 76 00:04:50,473 --> 00:04:53,383 you don't really need it in the right hand. 77 77 00:04:53,383 --> 00:04:57,202 [SOUND] So that's still C [SOUND] major 7. 78 78 00:04:57,202 --> 00:05:01,374 [SOUND] And all you've had to do is move your thumb 79 79 00:05:01,374 --> 00:05:04,203 from the root note down one key. 80 80 00:05:04,203 --> 00:05:07,909 [SOUND] So, let's say you were just playing C, and 81 81 00:05:07,909 --> 00:05:12,597 your root with the left hand, and you wanted to play C major 7. 82 82 00:05:12,597 --> 00:05:15,523 All you do is move Move your thumb one left from the root. 83 83 00:05:15,523 --> 00:05:18,320 [SOUND] That's it, C major 7. 84 84 00:05:18,320 --> 00:05:23,614 [SOUND] Or if you wanted to play C7, you could play [SOUND] a C. 85 85 00:05:23,614 --> 00:05:25,761 [SOUND] Playing the root in both hands. 86 86 00:05:25,761 --> 00:05:26,911 You don't need it in the right hand. 87 87 00:05:26,911 --> 00:05:29,198 You can move the thumb onto the 7th. 88 88 00:05:29,198 --> 00:05:30,533 [SOUND] Remember. 89 89 00:05:30,533 --> 00:05:35,862 [SOUND] So that's C7. 90 90 00:05:35,862 --> 00:05:41,527 So on the page you'll see the two easy formulas 91 91 00:05:41,527 --> 00:05:47,044 to make a major 7 play a root position chord, 92 92 00:05:47,044 --> 00:05:53,450 then move your thumb one key to the left off the root. 93 93 00:05:53,450 --> 00:05:55,898 And remember to play the root in your left hand. 94 94 00:05:55,898 --> 00:06:00,874 [SOUND] To make a 7 chord play a root position chord, 95 95 00:06:00,874 --> 00:06:04,596 then move your thumb two keys to left. 96 96 00:06:04,596 --> 00:06:06,790 Remember to play the root with your left hand. 97 97 00:06:06,790 --> 00:06:10,493 [SOUND] And that's it. 98 98 00:06:10,493 --> 00:06:15,392 Now, you can easily form any major 7 chord or any 7 chord. 99 99 00:06:15,392 --> 00:06:17,795 Let's try it with the chord of G. 100 100 00:06:17,795 --> 00:06:20,558 Let's make G major 7. 101 101 00:06:20,558 --> 00:06:21,753 So you play G. 102 102 00:06:21,753 --> 00:06:26,652 [SOUND] Play the G root note on the left hand as well. 103 103 00:06:26,652 --> 00:06:30,228 And then move your thumb off the root one key to the left. 104 104 00:06:30,228 --> 00:06:32,156 Always count the black keys as well. 105 105 00:06:32,156 --> 00:06:35,593 [SOUND] So that's G major 7. 106 106 00:06:35,593 --> 00:06:36,730 Simple? 107 107 00:06:36,730 --> 00:06:39,331 Play G, just move your thumb one key left. 108 108 00:06:39,331 --> 00:06:43,056 That's G [SOUND] major 7. 109 109 00:06:43,056 --> 00:06:47,516 To play G7, remember when you move a 7, you move two keys left. 110 110 00:06:47,516 --> 00:06:50,952 Major 7 is one key left, 7 is two keys left. 111 111 00:06:50,952 --> 00:06:55,177 So you're playing G [SOUND] with the G in the root in the left hand. 112 112 00:06:55,177 --> 00:07:02,057 [SOUND] And you move two keys left, one, two, so that's G7. 113 113 00:07:02,057 --> 00:07:07,576 [SOUND] Now let's try it with F, so play F in the right hand. 114 114 00:07:07,576 --> 00:07:11,129 [SOUND] F root in the bass [SOUND]. 115 115 00:07:11,129 --> 00:07:15,935 To make a major 7 F major 7, thumb one key left in the right hand. 116 116 00:07:15,935 --> 00:07:19,035 [SOUND] That's F major 7. 117 117 00:07:19,035 --> 00:07:22,993 To make F7, play F both hands. 118 118 00:07:22,993 --> 00:07:24,852 Move your thumb two keys left. 119 119 00:07:24,852 --> 00:07:27,695 [SOUND] That's F7. 120 120 00:07:27,695 --> 00:07:33,175 [SOUND] So let's form the chord of D minor 7. 121 121 00:07:33,175 --> 00:07:35,289 So you've got D minor. 122 122 00:07:35,289 --> 00:07:41,511 [SOUND] Both hands root, in the left, in the bass, so D minor, D minor 7. 123 123 00:07:41,511 --> 00:07:45,682 Remember a 7 is two left, major 7 is one left, 7 is two left. 124 124 00:07:45,682 --> 00:07:51,979 You've already got D minor, so you're just adding the number 7, which is two left. 125 125 00:07:51,979 --> 00:07:53,814 [SOUND] So that's D minor 7. 126 126 00:07:53,814 --> 00:07:56,783 [SOUND] Let's try A minor 7, so 127 127 00:07:56,783 --> 00:08:02,048 play A minor in the right hand, A root in the left hand. 128 128 00:08:02,048 --> 00:08:07,865 [SOUND] Remember, you're just adding 7, which is two left. 129 129 00:08:07,865 --> 00:08:13,890 [SOUND] So that's A minor 7. 130 130 00:08:13,890 --> 00:08:15,631 [SOUND] So hopefully you can see how it all works. 131 131 00:08:15,631 --> 00:08:17,830 Try all the rest of the chords for yourself.