1 1 00:00:00,390 --> 00:00:01,450 Inversion practice. 2 2 00:00:02,580 --> 00:00:05,380 Now, you can try using the inversions on some of the tunes we played earlier. 3 3 00:00:05,380 --> 00:00:10,326 So go back over earlier exercises, and when you find yourself jumping too 4 4 00:00:10,326 --> 00:00:14,494 far around, then change the chords to suitable inversions. 5 5 00:00:14,494 --> 00:00:19,325 So if you're going from a C to an F, then try a C to an F middle, or 6 6 00:00:19,325 --> 00:00:22,510 G backwards back to C and so on. 7 7 00:00:22,510 --> 00:00:23,820 You'll get used to it. 8 8 00:00:23,820 --> 00:00:26,656 And remember that the left hand doesn't invert anything, 9 9 00:00:26,656 --> 00:00:30,605 it just sticks with the root chord, the root note, the root pattern, whatever. 10 10 00:00:30,605 --> 00:00:33,100 Okay? So if it's an F middle, it'll fill the F 11 11 00:00:33,100 --> 00:00:37,710 in the left hand whether it's a middle or root position or backwards. 12 12 00:00:37,710 --> 00:00:41,640 Now in this piece, let's try one of these progressions. 13 13 00:00:41,640 --> 00:00:42,470 Auld Lang Sang. 14 14 00:00:43,750 --> 00:00:45,316 So, look at the chord progression. 15 15 00:00:45,316 --> 00:00:50,501 C [SOUND] to A minor, [SOUND] D minor, [SOUND] G, 16 16 00:00:50,501 --> 00:00:54,859 [SOUND] C, [SOUND] C7, [SOUND] F [SOUND]. 17 17 00:00:54,859 --> 00:00:58,075 Now you can see in root position, that jumps about quite a bit. 18 18 00:00:58,075 --> 00:01:01,409 C [SOUND] up to A minor [SOUND] down to D minor [SOUND] up to G [SOUND] down 19 19 00:01:01,409 --> 00:01:02,057 to C [SOUND]. 20 20 00:01:02,057 --> 00:01:03,113 Okay? 21 21 00:01:03,113 --> 00:01:08,037 But, if you use the inversions, it becomes a lot easier because it's C, 22 22 00:01:08,037 --> 00:01:09,951 [SOUND] to A minor backwards. 23 23 00:01:09,951 --> 00:01:11,722 So A minor would be that. 24 24 00:01:11,722 --> 00:01:12,952 [MUSIC]. 25 25 00:01:12,952 --> 00:01:14,032 Put those chords down below. 26 26 00:01:14,032 --> 00:01:16,006 [MUSIC] 27 27 00:01:16,006 --> 00:01:18,786 Small finger on the A to make it a backward inversion 28 28 00:01:18,786 --> 00:01:21,311 [MUSIC]. Into D minor [SOUND], and then G middle. 29 29 00:01:21,311 --> 00:01:25,740 So, reposition G would be jumping up there, but if you're on D minor and 30 30 00:01:25,740 --> 00:01:26,989 you want a G middle. 31 31 00:01:26,989 --> 00:01:30,367 [SOUND] There's the G middle, that's the G root. 32 32 00:01:30,367 --> 00:01:32,085 Find the next two notes. 33 33 00:01:32,085 --> 00:01:37,402 That's D minor to G middle, C and C7. 34 34 00:01:37,402 --> 00:01:41,482 And then if you were jumping up to F, that would be quite a jump, so 35 35 00:01:41,482 --> 00:01:43,428 you go from C seven to F middle. 36 36 00:01:43,428 --> 00:01:46,725 Okay, so try that. 37 37 00:01:46,725 --> 00:01:56,725 [MUSIC] 38 38 00:02:11,244 --> 00:02:12,347 G middle. 39 39 00:02:12,347 --> 00:02:16,027 [MUSIC] 40 40 00:02:16,027 --> 00:02:20,128 On the next page, this split chord tune makes great use of inversions. 41 41 00:02:20,128 --> 00:02:21,878 We Wish You a Merry Christmas. 42 42 00:02:21,878 --> 00:02:24,338 If this song was using root position chords, 43 43 00:02:24,338 --> 00:02:26,417 you'd be jumping all over the place. 44 44 00:02:26,417 --> 00:02:29,841 You'd be going from C up to F down to D up to G. 45 45 00:02:29,841 --> 00:02:34,357 But because you're using inversions, you can keep everything close together. 46 46 00:02:34,357 --> 00:02:36,459 So C to F middle. 47 47 00:02:36,459 --> 00:02:37,898 [SOUND] See, that's not much of a jump. 48 48 00:02:37,898 --> 00:02:40,812 D, G middle E, [SOUND]. 49 49 00:02:40,812 --> 00:02:47,151 A minor middle, [SOUND] F, [SOUND] G, [SOUND] C, [SOUND]. 50 50 00:02:47,151 --> 00:02:47,975 Okay? 51 51 00:02:47,975 --> 00:02:50,095 And you're using a split chord type of rhythm, 52 52 00:02:50,095 --> 00:02:52,271 and you're starting on the third and the fifth. 53 53 00:02:52,271 --> 00:02:53,280 So the C is split up. 54 54 00:02:53,280 --> 00:02:58,017 [SOUND] Then you're doing F middle, so F [SOUND]. 55 55 00:02:58,017 --> 00:02:59,979 Middle finger on the F, [SOUND]. 56 56 00:02:59,979 --> 00:03:00,711 Find the other two notes. 57 57 00:03:00,711 --> 00:03:03,497 [SOUND] And then a D chord. 58 58 00:03:03,497 --> 00:03:07,119 [SOUND] And G middle. 59 59 00:03:07,119 --> 00:03:09,592 [MUSIC] 60 60 00:03:09,592 --> 00:03:11,275 An E chord. 61 61 00:03:11,275 --> 00:03:12,598 [MUSIC] 62 62 00:03:12,598 --> 00:03:13,354 A minor middle. 63 63 00:03:13,354 --> 00:03:15,652 [MUSIC] 64 64 00:03:15,652 --> 00:03:17,312 And F, just straightforward F. 65 65 00:03:17,312 --> 00:03:18,914 [MUSIC] 66 66 00:03:18,914 --> 00:03:20,575 G, C. 67 67 00:03:20,575 --> 00:03:30,575 [MUSIC]