1 1 00:00:01,040 --> 00:00:01,790 Manilow Mood. 2 2 00:00:01,790 --> 00:00:06,450 I thought it might be worth including a little chordal composition 3 3 00:00:06,450 --> 00:00:08,100 based on Barry Manilow's style. 4 4 00:00:08,100 --> 00:00:14,150 Cuz of several devices he employs in most of his songs it will be very useful for 5 5 00:00:14,150 --> 00:00:14,860 your practice. 6 6 00:00:16,010 --> 00:00:19,470 So often they change keys several times and 7 7 00:00:19,470 --> 00:00:21,469 it'll be good practice for your chord changes. 8 8 00:00:22,500 --> 00:00:27,465 Uses a lot of slash chords, for instance, C over D, which resolves to a D. 9 9 00:00:27,465 --> 00:00:32,514 And these will be either written as slash chords or 9, 11, 10 10 00:00:32,514 --> 00:00:38,551 or sus4 chords, but basically it's the formula you've just learned. 11 11 00:00:38,551 --> 00:00:42,732 Often impose 3 beat slash chord pattern where the vocal gets drawn out, and 12 12 00:00:42,732 --> 00:00:43,915 its quite dramatic. 13 13 00:00:43,915 --> 00:00:45,521 So this kinda. 14 14 00:00:45,521 --> 00:00:50,499 [MUSIC] 15 15 00:00:50,499 --> 00:00:51,006 Then he starts singing. 16 16 00:00:51,006 --> 00:00:54,770 So it's just a good fun and very useful. 17 17 00:00:56,000 --> 00:00:56,686 Okay, lets try the song. So 18 18 00:00:56,686 --> 00:01:02,172 it starts with the three chord run up into the start of the vocal. 19 19 00:01:02,172 --> 00:01:07,198 D, C over E, D over F you hear it's getting dramatic, 20 20 00:01:07,198 --> 00:01:12,574 and then that makes use of the riff note of the first chord. 21 21 00:01:12,574 --> 00:01:16,253 Third, the second chord and the third, of the third chord. 22 22 00:01:16,253 --> 00:01:21,128 Okay, so D, C, D. 23 23 00:01:21,128 --> 00:01:22,409 [MUSIC] 24 24 00:01:22,409 --> 00:01:23,038 Then you're into oompah. 25 25 00:01:23,038 --> 00:01:24,217 Watch the fingering carefully. 26 26 00:01:24,217 --> 00:01:27,854 Okay? 27 27 00:01:27,854 --> 00:01:28,646 [MUSIC] 28 28 00:01:28,646 --> 00:01:29,824 Base run, down to C. 29 29 00:01:29,824 --> 00:01:33,237 [MUSIC] 30 30 00:01:33,237 --> 00:01:35,432 Bass run, up to A minor backwards. 31 31 00:01:35,432 --> 00:01:41,364 [MUSIC] 32 32 00:01:41,364 --> 00:01:42,075 And then C over D. 33 33 00:01:42,075 --> 00:01:45,142 Okay. 34 34 00:01:45,142 --> 00:01:49,267 So that's more or less D at 9 11 suspended fourth. 35 35 00:01:49,267 --> 00:01:52,741 Now change of key, D-flat over E-flat. 36 36 00:01:52,741 --> 00:01:58,206 And then you're into oompah again, with A-flat backwards. 37 37 00:01:58,206 --> 00:02:02,615 [MUSIC] 38 38 00:02:02,615 --> 00:02:06,456 Bass run down to D-flat, and watch the fingering. 39 39 00:02:06,456 --> 00:02:10,686 [MUSIC] 40 40 00:02:10,686 --> 00:02:12,556 Now, bass run up to B-flat minor. 41 41 00:02:12,556 --> 00:02:18,935 [MUSIC] 42 42 00:02:18,935 --> 00:02:19,708 D-flat over E-flat. 43 43 00:02:19,708 --> 00:02:22,084 [MUSIC] 44 44 00:02:22,084 --> 00:02:22,612 Change a key again. 45 45 00:02:22,612 --> 00:02:23,853 D over E. 46 46 00:02:23,853 --> 00:02:26,432 [MUSIC] 47 47 00:02:26,432 --> 00:02:27,205 And then A backwards. 48 48 00:02:27,205 --> 00:02:28,911 And an oompah again. 49 49 00:02:28,911 --> 00:02:33,300 [MUSIC] 50 50 00:02:33,300 --> 00:02:34,193 And this one down to D. 51 51 00:02:34,193 --> 00:02:36,915 [MUSIC] 52 52 00:02:36,915 --> 00:02:38,195 Up to B minor. 53 53 00:02:38,195 --> 00:02:42,382 [MUSIC] 54 54 00:02:42,382 --> 00:02:42,990 D over E. 55 55 00:02:42,990 --> 00:02:44,473 [MUSIC] 56 56 00:02:44,473 --> 00:02:45,389 E-flat over F. 57 57 00:02:45,389 --> 00:02:47,460 End on a B-flat. 58 58 00:02:47,460 --> 00:02:51,129 [MUSIC]