1 1 00:00:00,400 --> 00:00:05,128 So let's try improvising on top of the A minor progression. 2 2 00:00:05,128 --> 00:00:10,148 First of all, a few things to consider, when improvising over A minor, 3 3 00:00:10,148 --> 00:00:13,045 try to stick to the notes A, B, C, D, E. 4 4 00:00:13,045 --> 00:00:19,128 You can hear that F and G are a bit discordant in this particular song. 5 5 00:00:19,128 --> 00:00:23,253 When improvising over E, remember it's an E, not an E minor. 6 6 00:00:23,253 --> 00:00:26,711 So what makes the E is the G sharp. 7 7 00:00:26,711 --> 00:00:29,813 Try to get that into your improvisation because at least 8 8 00:00:29,813 --> 00:00:33,712 that'll give you another note apart from all the white keys to add in. 9 9 00:00:33,712 --> 00:00:36,545 For F and G, you can use any white note. 10 10 00:00:36,545 --> 00:00:38,295 Okay, let's give it a try. 11 11 00:00:38,295 --> 00:00:40,087 So start off with the pattern. 12 12 00:00:40,087 --> 00:00:41,878 Bring the pattern in now and again. 13 13 00:00:41,878 --> 00:00:43,753 Move out it, and come back into it. 14 14 00:00:43,753 --> 00:00:53,753 [MUSIC] 15 15 00:01:01,670 --> 00:01:07,545 Now, for the Bdim, there's your Bdim chord, first, third, fifth. 16 16 00:01:07,545 --> 00:01:11,587 If you use a chord tone for a melody note, at least it's fifth, so go to the fifth. 17 17 00:01:11,587 --> 00:01:13,570 [MUSIC] 18 18 00:01:13,570 --> 00:01:16,753 I'm going to bounce back onto the E for the next chord. 19 19 00:01:16,753 --> 00:01:18,461 [MUSIC] 20 20 00:01:18,461 --> 00:01:19,961 Now is when you get the G sharp in. 21 21 00:01:19,961 --> 00:01:29,961 [MUSIC] 22 22 00:01:40,390 --> 00:01:42,672 And this is when you don't use any improvisation, 23 23 00:01:42,672 --> 00:01:44,378 because it's too quick to change it. 24 24 00:01:44,378 --> 00:01:54,378 [MUSIC]