1 1 00:00:00,970 --> 00:00:04,010 The 10ths Ballad Style, a stride style variation. 2 2 00:00:05,640 --> 00:00:10,753 So, so far you've been playing first fifth first, separately. 3 3 00:00:10,753 --> 00:00:12,505 [MUSIC] 4 4 00:00:12,505 --> 00:00:16,880 Another great way to use this style is to play the top two notes together. 5 5 00:00:16,880 --> 00:00:19,545 So it becomes like a stride style. 6 6 00:00:19,545 --> 00:00:22,711 [MUSIC] 7 7 00:00:22,711 --> 00:00:25,920 So this is in three four time, tenths waltz. 8 8 00:00:25,920 --> 00:00:28,961 So look at the sheet music on the page. 9 9 00:00:28,961 --> 00:00:31,242 So we're starting in A minor, 10 10 00:00:31,242 --> 00:00:35,378 so instead of [SOUND] playing the top two notes together. 11 11 00:00:35,378 --> 00:00:39,295 [MUSIC] 12 12 00:00:39,295 --> 00:00:45,628 And there's a great Chopin piece that uses this exact progression. 13 13 00:00:45,628 --> 00:00:47,378 And it would use a stride style. 14 14 00:00:47,378 --> 00:00:51,244 So it would go from A minor, so 15 15 00:00:51,244 --> 00:00:55,574 A root [SOUND], A minor, D [SOUND], 16 16 00:00:55,574 --> 00:01:01,003 D minor middle [SOUND], G [SOUND], C [SOUND]. 17 17 00:01:01,003 --> 00:01:05,296 So you can get the same feel if you just use this 10th stride style. 18 18 00:01:05,296 --> 00:01:12,711 [MUSIC] 19 19 00:01:12,711 --> 00:01:15,420 So it doesn't sound too different. 20 20 00:01:15,420 --> 00:01:20,006 So the melody line of the Chopin piece, again, is very interesting because 21 21 00:01:20,006 --> 00:01:23,964 you see that even Chopin would base melodies around a chord tone. 22 22 00:01:23,964 --> 00:01:25,128 So there's the A minor. 23 23 00:01:25,128 --> 00:01:26,753 [MUSIC] 24 24 00:01:26,753 --> 00:01:32,170 So [SOUND] first to third, [SOUND] and then up to the D minor. 25 25 00:01:32,170 --> 00:01:35,295 [SOUND] First to third. 26 26 00:01:35,295 --> 00:01:38,878 [SOUND] And then it's down to the third of G. 27 27 00:01:38,878 --> 00:01:43,420 [SOUND] And you're going down to the third of the C. 28 28 00:01:43,420 --> 00:01:47,878 [SOUND] And then back to the first again of A. 29 29 00:01:47,878 --> 00:01:51,295 [SOUND] FIrst again of D minor. 30 30 00:01:51,295 --> 00:01:54,003 [SOUND] Third of G. 31 31 00:01:54,003 --> 00:01:56,711 [MUSIC] 32 32 00:01:56,711 --> 00:01:57,795 Bounce on to the C. 33 33 00:01:57,795 --> 00:01:59,336 [MUSIC] 34 34 00:01:59,336 --> 00:02:03,178 So can you see that that's a very simple pattern that's used in chord tones, and 35 35 00:02:03,178 --> 00:02:04,546 it still sounds beautiful? 36 36 00:02:04,546 --> 00:02:14,546 [MUSIC] 37 37 00:02:23,753 --> 00:02:27,920 Okay, let's try an improvisation with this progression. 38 38 00:02:27,920 --> 00:02:33,878 Just keep it simple, stick to chord tones, CF notes, and just, but make it melodic. 39 39 00:02:33,878 --> 00:02:38,047 We'll start with A minor, [SOUND] let's start one third up high this time. 40 40 00:02:38,047 --> 00:02:41,836 [MUSIC] 41 41 00:02:41,836 --> 00:02:46,836 That's the fifth of G, third of C. 42 42 00:02:46,836 --> 00:02:51,795 [MUSIC] 43 43 00:02:51,795 --> 00:02:55,296 Down to the third of G, bounce back onto C. 44 44 00:02:55,296 --> 00:03:05,296 [MUSIC]