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Extending the left-hand,
a jazzy left-hand minor pattern and
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let's try a different
extended left-hand pattern.
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So far, you've played
an octave-style basic pattern,
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[SOUND] first, fifth, first and
you've tried a tenth,
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first, fifth, tenth, or C minor, tenth.
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So this time, you're going to, and
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you've also [SOUND] seen that you
can add the second for the third
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[MUSIC].
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So, this time you're
gonna skip the root and
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just jump straight to the second
[SOUND] and the third.
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So this is C minor.
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[SOUND] There's C minor, so
you're putting that up there.
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[SOUND] Then first,
fifth and then second, so
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you can see that it's
just the one after the C.
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So you jump to the second and
then the next
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note [SOUND] and then you can play that F.
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[SOUND] So first,
fifth and then the second.
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After the F, first, fifth,
it's also called the ninth.
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[SOUND] Don't worry about that,
[SOUND] just memorize it.
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[SOUND] Back to C,
[SOUND] then you've got a G minor,
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[SOUND] cuz there's a G minor.
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[SOUND] So
there's the seventh flat and third.
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[SOUND] F.
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[SOUND] C.
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[MUSIC]
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Now let's try improvising on top of
your new the pattern [SOUND] and
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you're going to use
a scale called C minor.
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[MUSIC]
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And don't worry about memorizing
the scale in terms of notes,
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just look at the shifts in patters.
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So two whites, a black,
two whites, two blacks.
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You'll learn more about the actual
notes later on in book nine.
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But for now, just see it as shifts.
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[MUSIC]
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So that will help you memorize it.
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[SOUND] So back to C.
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[SOUND] So that will work over
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your three left hand chords.
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[MUSIC]
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F.
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[MUSIC]
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Or G.
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[MUSIC]
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So you can try a simple improvisation
just using those notes.
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Again, stick with chord tones.
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Keep it melodic, don't try too much one or
two notes out of each chord.
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So let's try it with C.
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Let's start on second, [SOUND] cuz it's
kind of a feature of the left-hand.
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[SOUND] It's quite a pronounced note,
so it's a nice note to bring in.
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[MUSIC]
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So that's the same note in the left-hand.
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[MUSIC]
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Back to the.
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[MUSIC]
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You can just use that for the G.
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[MUSIC]
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Back to that for the F.
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[MUSIC]
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So don't try too much to begin with,
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you're just getting used to linking
the chord tones with the pattern.