1 1 00:00:00,008 --> 00:00:03,368 Jazz Standards & Showtunes Made Easy. 2 2 00:00:03,368 --> 00:00:06,456 Left hand 7th chords. 3 3 00:00:06,456 --> 00:00:09,206 Up to now, you've been playing, first of all, 4 4 00:00:09,206 --> 00:00:11,698 right hand chords with left hand bass note. 5 5 00:00:11,698 --> 00:00:13,628 [MUSIC] 6 6 00:00:13,628 --> 00:00:14,360 Then, we're adding sevenths. 7 7 00:00:14,360 --> 00:00:17,489 [MUSIC] 8 8 00:00:17,489 --> 00:00:20,820 It's more of a pop style, when you're playing a ballad style. 9 9 00:00:20,820 --> 00:00:25,351 [MUSIC] 10 10 00:00:25,351 --> 00:00:26,387 Okay? 11 11 00:00:26,387 --> 00:00:28,338 You've got some blues voicings. 12 12 00:00:28,338 --> 00:00:32,726 [MUSIC] 13 13 00:00:32,726 --> 00:00:35,977 So, none of those sound particularly jazzy. 14 14 00:00:35,977 --> 00:00:40,862 You get more of a jazz sound if you start to play full four note seventh chords in 15 15 00:00:40,862 --> 00:00:41,849 the left hand. 16 16 00:00:41,849 --> 00:00:49,935 [MUSIC] 17 17 00:00:49,935 --> 00:00:52,535 Okay, sounds a bit more jazzy. 18 18 00:00:52,535 --> 00:00:57,193 Now, playing seventh chords in your left hand is different from how you learned to 19 19 00:00:57,193 --> 00:00:58,895 form them in your right hand. 20 20 00:00:58,895 --> 00:01:01,844 So, to form seventh chords in your right hand, 21 21 00:01:01,844 --> 00:01:06,066 you learn to move your thumb from the root note to the seventh chord. 22 22 00:01:06,066 --> 00:01:07,265 So, for instance, 23 23 00:01:07,265 --> 00:01:08,058 [MUSIC]. 24 24 00:01:08,058 --> 00:01:10,069 You're in C major. 25 25 00:01:10,069 --> 00:01:12,281 Because you were playing the root in the left hand anyway, 26 26 00:01:12,281 --> 00:01:14,051 you didn't need it in the right hand anymore. 27 27 00:01:14,051 --> 00:01:18,099 So you move from the root down to the either major seventh, one left, or 28 28 00:01:18,099 --> 00:01:20,065 the seventh, which was two left. 29 29 00:01:20,065 --> 00:01:21,284 [MUSIC] 30 30 00:01:21,284 --> 00:01:26,485 C, C major seventh, C7. 31 31 00:01:26,485 --> 00:01:30,435 But to form seventh chords in your left hand for 32 32 00:01:30,435 --> 00:01:33,474 use with these show tune melodies, 33 33 00:01:33,474 --> 00:01:38,870 the seventh note is simply added to the basic three note chord. 34 34 00:01:38,870 --> 00:01:40,890 So, there's your three note chord. 35 35 00:01:40,890 --> 00:01:42,688 C, E, G, first, third, fifth. 36 36 00:01:42,688 --> 00:01:43,907 And you add the 7th. 37 37 00:01:43,907 --> 00:01:48,681 So when you're adding the 7th in the right hand, major 7th is one left. 38 38 00:01:48,681 --> 00:01:50,246 So it's still one left of the root. 39 39 00:01:50,246 --> 00:01:50,957 [MUSIC] 40 40 00:01:50,957 --> 00:01:52,501 So that's C major 7. 41 41 00:01:52,501 --> 00:01:54,634 [MUSIC] 42 42 00:01:54,634 --> 00:01:56,930 When you added C7 in the right hand, 43 43 00:01:56,930 --> 00:01:57,722 [MUSIC], 44 44 00:01:57,722 --> 00:02:00,262 you moved from the root two left. 45 45 00:02:00,262 --> 00:02:02,192 So that's still the seven. 46 46 00:02:02,192 --> 00:02:10,522 Okay? So that's C7. 47 47 00:02:10,522 --> 00:02:13,895 In the next page, you're going to learn is C family seventh chords. 48 48 00:02:13,895 --> 00:02:17,775 Remember from book one, you learned the C family basics triads. 49 49 00:02:17,775 --> 00:02:24,764 [SOUND] C, D minor, E minor, F, G, A minor, B diminished, back to C. 50 50 00:02:24,764 --> 00:02:27,740 Do you remember how you learned them? 51 51 00:02:27,740 --> 00:02:28,380 Three majors, C F G. 52 52 00:02:28,380 --> 00:02:29,033 Three minors. 53 53 00:02:29,033 --> 00:02:32,414 [SOUND] D minor, E minor, A minor. 54 54 00:02:32,414 --> 00:02:37,858 And one diminished chord, the baby chord, remember built on the last group of scale. 55 55 00:02:37,858 --> 00:02:40,784 [SOUND] B diminished. 56 56 00:02:40,784 --> 00:02:44,993 [SOUND] Okay, so it’s going to look very similar in the left hand with just 57 57 00:02:44,993 --> 00:02:48,179 the added note, from the added seventh on each chord. 58 58 00:02:48,179 --> 00:02:48,768 So 59 59 00:02:48,768 --> 00:02:53,279 [MUSIC]. 60 60 00:02:53,279 --> 00:02:57,772 So everything’s a white chord, every chord looks exactly the same, 61 61 00:02:57,772 --> 00:03:00,064 just moved on to a particular note. 62 62 00:03:00,064 --> 00:03:03,539 [MUSIC] 63 63 00:03:03,539 --> 00:03:05,631 And you can memorize them the same again. 64 64 00:03:05,631 --> 00:03:06,871 So there's three majors. 65 65 00:03:06,871 --> 00:03:11,723 C major 7, [SOUND] F major 7, [SOUND] G 7, [SOUND] D minor 7, [SOUND] E minor 7, 66 66 00:03:11,723 --> 00:03:12,257 [SOUND]. 67 67 00:03:12,257 --> 00:03:13,334 So three minors. 68 68 00:03:13,334 --> 00:03:14,939 A minor 7, [SOUND] and B diminished. 69 69 00:03:14,939 --> 00:03:20,445 [SOUND] And technically that's called a B half diminished 7. 70 70 00:03:20,445 --> 00:03:21,969 Don't worry about that for now. 71 71 00:03:21,969 --> 00:03:23,675 You can work that out later. 72 72 00:03:23,675 --> 00:03:25,849 Just call up diminished 7 for now. 73 73 00:03:25,849 --> 00:03:27,861 So B diminished [SOUND] and it's got a 7th on it. 74 74 00:03:27,861 --> 00:03:29,791 [MUSIC] 75 75 00:03:29,791 --> 00:03:32,086 Back to C major 7. 76 76 00:03:32,086 --> 00:03:34,850 So practice those over and over lock your fingers. 77 77 00:03:34,850 --> 00:03:44,850 [MUSIC]