1 1 00:00:00,000 --> 00:00:01,936 Voicings for showtunes. 2 2 00:00:03,631 --> 00:00:08,879 Your four note left hand seventh chords, sound okay when played near to middle C. 3 3 00:00:08,879 --> 00:00:12,965 [MUSIC] 4 4 00:00:12,965 --> 00:00:16,157 But unless you're playing on an expensive grand piano, 5 5 00:00:16,157 --> 00:00:20,488 four note chords can sound rather muddy the lower you play them on the keyboard 6 6 00:00:20,488 --> 00:00:25,272 [MUSIC] 7 7 00:00:25,272 --> 00:00:27,919 It's not very distinct, all the notes are running together. 8 8 00:00:29,065 --> 00:00:30,111 So for instance, 9 9 00:00:30,111 --> 00:00:34,573 if you wanted to play a four note G seven chord quite low down on the keyboard, 10 10 00:00:34,573 --> 00:00:38,780 cuz maybe your melody line would be in the way if you're playing there. 11 11 00:00:38,780 --> 00:00:45,683 [SOUND] What you'd need to do is play a voicing of G seven. 12 12 00:00:45,683 --> 00:00:50,246 So to make a voicing, you simply play the root note [SOUND] and the seventh, 13 13 00:00:50,246 --> 00:00:53,277 [SOUND] as if you were playing the four note chord. 14 14 00:00:53,277 --> 00:00:58,036 Leave out the third, and the fifth, and play them in the right hand instead. 15 15 00:00:58,036 --> 00:01:00,010 [MUSIC] 16 16 00:01:00,010 --> 00:01:01,667 Can you hear the difference? 17 17 00:01:01,667 --> 00:01:09,756 Voicing full chord, so it's the same notes different sound altogether. 18 18 00:01:09,756 --> 00:01:13,889 [MUSIC] 19 19 00:01:13,889 --> 00:01:16,104 Okay, and you might be playing a melody line above that. 20 20 00:01:16,104 --> 00:01:21,151 [MUSIC] 21 21 00:01:21,151 --> 00:01:24,285 And you don't have to play the third, and the fifth, in the right hand. 22 22 00:01:24,285 --> 00:01:27,768 If you're playing a different melody line that's fine, it'll still sound okay. 23 23 00:01:27,768 --> 00:01:29,890 [MUSIC] 24 24 00:01:29,890 --> 00:01:30,850 You can play it with it. 25 25 00:01:30,850 --> 00:01:35,402 [MUSIC] 26 26 00:01:35,402 --> 00:01:39,489 So in the next page, we're going to voice a classic chord progression. 27 27 00:01:39,489 --> 00:01:44,527 You know the progression by now C, A minor, D minor, G, okay. 28 28 00:01:45,744 --> 00:01:52,789 Now, it would be with the full chords C, A minor, D minor, G. 29 29 00:01:52,789 --> 00:01:54,808 [SOUND] And a bit muddy. 30 30 00:01:56,224 --> 00:01:59,855 So what you're going to do is play the voicings, so there's your C major seven. 31 31 00:01:59,855 --> 00:02:02,580 [SOUND] Remember one left of the root is the major seven. 32 32 00:02:02,580 --> 00:02:04,972 [MUSIC] 33 33 00:02:04,972 --> 00:02:06,570 And you're going to take the third, and the fifth, and 34 34 00:02:06,570 --> 00:02:07,386 play them in the right hand. 35 35 00:02:07,386 --> 00:02:11,948 [SOUND] And you're moving everything down to A minor [SOUND] so 36 36 00:02:11,948 --> 00:02:16,603 you can either memorize it by taking the shift out,or you can 37 37 00:02:16,603 --> 00:02:21,086 play the A minor seventh, number two left of the seventh. 38 38 00:02:21,086 --> 00:02:23,395 But remember all your white chords, 39 39 00:02:23,395 --> 00:02:26,682 all your C family chords will look exactly the same. 40 40 00:02:26,682 --> 00:02:31,674 There's your A minor, [SOUND] root on seventh, third, fifth play them up above. 41 41 00:02:31,674 --> 00:02:33,067 [MUSIC] 42 42 00:02:33,067 --> 00:02:37,426 See I'm at D minor seven, [SOUND] there's your third, [SOUND] and 43 43 00:02:37,426 --> 00:02:40,102 fifth play them up here down to G seven. 44 44 00:02:40,102 --> 00:02:42,958 [SOUND] Take right to third and fifth play it up here. 45 45 00:02:42,958 --> 00:02:45,676 [SOUND] And what you're playing is. 46 46 00:02:45,676 --> 00:02:55,171 [MUSIC] 47 47 00:02:55,171 --> 00:03:00,006 And you can see those voicings fit well with songs like Blue Moon, Stormy Weather, 48 48 00:03:00,006 --> 00:03:02,161 Can't Help Lovin 'Dat Man of Mine. 49 49 00:03:02,161 --> 00:03:02,982 Just try it. 50 50 00:03:02,982 --> 00:03:10,644 [MUSIC] 51 51 00:03:10,644 --> 00:03:15,611 Now you can also use the notes of the voicing to create rhythmic patterns, so 52 52 00:03:15,611 --> 00:03:17,170 instead of just playing 53 53 00:03:17,170 --> 00:03:23,323 [MUSIC] 54 54 00:03:23,323 --> 00:03:26,690 It sounds okay, but you can add some rhythm to it. 55 55 00:03:26,690 --> 00:03:36,690 [MUSIC] 56 56 00:03:39,181 --> 00:03:41,921 And then you can start to bring in melody on top of that. 57 57 00:03:41,921 --> 00:03:51,921 [MUSIC]