1 1 00:00:00,560 --> 00:00:02,240 D minor Jazz. The Right Hand Groove Part 1. 2 2 00:00:02,240 --> 00:00:06,850 Jazz melodic langs or improvisations have a distinctive 3 3 00:00:06,850 --> 00:00:12,480 rhythmic swing. 4 4 00:00:12,480 --> 00:00:14,250 Think of a scale. 5 5 00:00:14,250 --> 00:00:14,981 Let's use the scale of D minor 7, 6 6 00:00:14,981 --> 00:00:16,128 which will sound great with your D minor jazz chords. 7 7 00:00:16,128 --> 00:00:21,586 [MUSIC] 8 8 00:00:21,586 --> 00:00:25,960 Okay, that's the way we're used to hearing a scale in classical clockwork rhythm. 9 9 00:00:27,040 --> 00:00:30,590 But in jazz, however, the scale will be played with a kind of shuffle rhythm. 10 10 00:00:31,700 --> 00:00:36,170 It doesn't feel like it's quite on the beat, but it always is. 11 11 00:00:36,170 --> 00:00:37,770 It's driving you along. 12 12 00:00:37,770 --> 00:00:40,810 It's still in time, but there's something just slightly off a bit. 13 13 00:00:40,810 --> 00:00:42,020 It's shuffling along. 14 14 00:00:42,020 --> 00:00:43,249 It's driving you forward. 15 15 00:00:44,280 --> 00:00:47,650 One of the best ways I've heard the rhythm described to make 16 16 00:00:47,650 --> 00:00:50,460 it easier to think about at least, 17 17 00:00:50,460 --> 00:00:54,888 if you say the works ten to ten to ten to ten to ten to ten to ten to ten to ten. 18 18 00:00:54,888 --> 00:00:57,711 So you can imagine you can hear that rhythm. 19 19 00:00:57,711 --> 00:01:01,586 Ten to ten to ten to ten to ten to ten to ten to ten to ten. 20 20 00:01:01,586 --> 00:01:04,337 So if you start with two, as well instead of ten. 21 21 00:01:04,337 --> 00:01:07,586 To ten to ten to ten to ten ten. 22 22 00:01:07,586 --> 00:01:17,586 [MUSIC]. 23 23 00:01:21,004 --> 00:01:22,670 It's very hard. 24 24 00:01:22,670 --> 00:01:26,891 It's hard to describe and you really just have to keep playing, keep practicing, 25 25 00:01:26,891 --> 00:01:28,170 keep listening to jazz. 26 26 00:01:28,170 --> 00:01:31,378 And eventually you'll just feel the rhythm and you'll get it. 27 27 00:01:31,378 --> 00:01:34,503 [MUSIC] 28 28 00:01:34,503 --> 00:01:35,461 So it's different than 29 29 00:01:35,461 --> 00:01:42,336 [MUSIC] 30 30 00:01:42,336 --> 00:01:44,878 There's an attack in different places. 31 31 00:01:44,878 --> 00:01:48,753 [MUSIC] 32 32 00:01:48,753 --> 00:01:55,020 So just keep practicing the scale over and over and over, up and down the scale. 33 33 00:01:55,020 --> 00:01:58,753 Don't worry about making rifts or patterns or anything else. 34 34 00:01:58,753 --> 00:02:08,753 [MUSIC] 35 35 00:02:13,920 --> 00:02:19,295 You can hear that I'm not using the exact same timing in each scale, 36 36 00:02:19,295 --> 00:02:23,836 but it's still got that same shuffle offbeat feel to it. 37 37 00:02:23,836 --> 00:02:31,878 [MUSIC] 38 38 00:02:31,878 --> 00:02:33,961 Just keep practicing that one. 39 39 00:02:33,961 --> 00:02:43,199 [MUSIC]