1 1 00:00:00,400 --> 00:00:03,394 Modern Voicings 'Quartal' Harmony. 2 2 00:00:03,394 --> 00:00:04,378 If you play the third, so let's look at C, the third. 3 3 00:00:04,378 --> 00:00:10,020 There's one, two, three, four fix, six, seven, eight, nine. 4 4 00:00:10,020 --> 00:00:13,620 The third, sixth, and ninth of any chord in that order, 5 5 00:00:13,620 --> 00:00:17,007 you'll see that each of the notes are a fourth apart. 6 6 00:00:17,007 --> 00:00:20,356 But even, it's easy to see on the white keys. 7 7 00:00:20,356 --> 00:00:22,179 One, two, three, four. 8 8 00:00:22,179 --> 00:00:23,166 One, two, three, four. 9 9 00:00:23,166 --> 00:00:24,826 It's got a distinct shift. 10 10 00:00:24,826 --> 00:00:29,060 Most chords you can play on simple. 11 11 00:00:29,060 --> 00:00:31,730 You see that distinctive shift. 12 12 00:00:31,730 --> 00:00:33,001 It's got a distinctive sound. 13 13 00:00:33,001 --> 00:00:36,728 It's a very modern sound too. 14 14 00:00:36,728 --> 00:00:38,185 You'll hear it in many tunes. 15 15 00:00:38,185 --> 00:00:42,567 [MUSIC] 16 16 00:00:42,567 --> 00:00:45,289 Okay. [MUSIC] 17 17 00:00:45,289 --> 00:00:46,200 The shift 4th chord. 18 18 00:00:46,200 --> 00:00:50,131 [MUSIC] 19 19 00:00:50,131 --> 00:00:54,238 These are great chords for beginners to improvise with, because each voicing can 20 20 00:00:54,238 --> 00:00:57,647 imply many different chords and that gives your room for maneuver. 21 21 00:00:57,647 --> 00:01:01,506 You don't have to be so precise with your right hand improvisation, 22 22 00:01:01,506 --> 00:01:04,901 because it'll sound so vague it'll probably sound right, 23 23 00:01:04,901 --> 00:01:09,509 whatever you're playing, as long as you're kinda within a certain structure. 24 24 00:01:09,509 --> 00:01:15,958 Look at the chord again, third, sixth, and ninth of C. 25 25 00:01:15,958 --> 00:01:21,370 It could also be first, eleventh, and seventh of E. 26 26 00:01:21,370 --> 00:01:22,940 Which sounds okay with E as well. 27 27 00:01:22,940 --> 00:01:25,210 First and that's the eleventh, because that's the eleventh because, one, two, 28 28 00:01:25,210 --> 00:01:32,350 three, four, five, six, seven, eighth, nine, ten, eleven, and the seventh. 29 29 00:01:32,350 --> 00:01:36,480 It could also be the fifth, the first, and the eleventh of A. 30 30 00:01:36,480 --> 00:01:39,434 One, two, three, four, five, okay. 31 31 00:01:39,434 --> 00:01:41,634 The root and the 11th again. 32 32 00:01:41,634 --> 00:01:46,906 It could also possibly be the seventh, 33 33 00:01:46,906 --> 00:01:54,110 third, and the sixth of F major 7 of the sixth [SOUND]. 34 34 00:01:54,110 --> 00:01:59,261 It sounds okay with C, [SOUND] E, [SOUND] A, [SOUND] or 35 35 00:01:59,261 --> 00:02:05,164 F [SOUND], cuz it's got that vague, kind of mysterious. 36 36 00:02:05,164 --> 00:02:08,751 [SOUND] I'm not quite sure what chord it is. 37 37 00:02:08,751 --> 00:02:10,824 Still a [INAUDIBLE] okay. 38 38 00:02:10,824 --> 00:02:17,725 [MUSIC] 39 39 00:02:17,725 --> 00:02:20,784 On the next page, try all the 3, 6, 9 voicings. 40 40 00:02:20,784 --> 00:02:22,996 Notice how easy they are to form. 41 41 00:02:22,996 --> 00:02:26,144 Don't worry yet about what chord they're related to, just play around with them. 42 42 00:02:26,144 --> 00:02:30,242 Get a feel for the position of your hand and for that unique sound. 43 43 00:02:30,242 --> 00:02:34,456 [MUSIC] 44 44 00:02:34,456 --> 00:02:35,437 That goes down to the black notes 45 45 00:02:35,437 --> 00:02:36,650 [MUSIC], 46 46 00:02:36,650 --> 00:02:37,572 white notes [MUSIC], 47 47 00:02:37,572 --> 00:02:38,374 black notes 48 48 00:02:38,374 --> 00:02:40,209 [MUSIC]. 49 49 00:02:40,209 --> 00:02:41,218 Okay, this one's slightly different. 50 50 00:02:41,218 --> 00:02:41,718 [MUSIC] 51 51 00:02:41,718 --> 00:02:52,611 [MUSIC] 52 52 00:02:52,611 --> 00:02:54,473 But for now, we're going to play with 53 53 00:02:54,473 --> 00:03:00,704 [MUSIC] 54 54 00:03:00,704 --> 00:03:01,284 [INAUDIBLE] keys. 55 55 00:03:01,284 --> 00:03:06,869 [MUSIC] 56 56 00:03:06,869 --> 00:03:07,994 Just experiment with that. 57 57 00:03:07,994 --> 00:03:11,501 [MUSIC] 58 58 00:03:11,501 --> 00:03:12,140 Remember, in the right hand. 59 59 00:03:12,140 --> 00:03:15,621 [MUSIC] 60 60 00:03:15,621 --> 00:03:16,260 For a couple of octaves. 61 61 00:03:16,260 --> 00:03:26,260 [MUSIC] 62 62 00:03:48,456 --> 00:03:52,820 And then it's nice if you [SOUND] start with a D, root and fifth. 63 63 00:03:52,820 --> 00:03:55,903 But give it an overall sort of D minor tonality. 64 64 00:03:55,903 --> 00:04:05,903 [MUSIC] 65 65 00:04:19,097 --> 00:04:20,525 Just experiment, play, do what you want. 66 66 00:04:20,525 --> 00:04:22,769 Have fun.