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Blues in the key of G.
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In book six,
you already transposed some riffs and
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patterns in blues scale to the key of G.
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What we're going to do now is change
some of the new left hand patterns and
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right hand riffs to G.
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A couple of good reasons to do this now.
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One is that G is one of the easier
keys to learn the blues in.
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A few easy keys, C obviously,
F isn't too hard.
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G is particularly easy, and
everything fits well under the fingers.
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[MUSIC]
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Also the riffs still look
a lot like the riffs in C.
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So you can easily transpose them.
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So in C
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[MUSIC],
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in G
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[MUSIC].
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In G
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[MUSIC].
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In G
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[MUSIC].
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So you can see they're very similar.
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C Blues scale,
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[MUSIC].
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G Blues scale,
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[MUSIC].
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Apart from the seventh,
they both look identical.
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So another good reason is
that if you're playing blues
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[MUSIC],
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in C and someone's singing along, but
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it's not in their pitch,
then you can change to G because it's
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[MUSIC]
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It's quite a different tonality, so
the G might suit where the C won't.
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Now let's get started and
find the three blues chords in G.
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In C, the three blues chords were the
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[MUSIC],
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one, four and five.
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C, F and G.
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G it's going to be the same so
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[MUSIC].
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One, two, three, four is the same
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fifth is D so it's G, C, and D.
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On the next page we're going to transpose
a straight eight boogie to the key of G.
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Try the left hand so just.
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[MUSIC]
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Looks exactly like the,
except for the seventh.
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[MUSIC]
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Down to the C.
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[MUSIC]
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Now let's find the right-hand chords.
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So on the following page,
it'll say G red position.
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Nice D chord below middle C.
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And C, middle of the seven.
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And D backwards, remember the F sharp.
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Back to C.
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Let's put them both together.
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[MUSIC]
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We can double up.
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[MUSIC]