1 1 00:00:00,530 --> 00:00:01,885 Mozart Theme from Sonata in C. 2 2 00:00:01,885 --> 00:00:06,370 And if you practice this piece hands separately for 3 3 00:00:06,370 --> 00:00:11,520 a long time, you'll eventually see that it's easier than it first appears. 4 4 00:00:11,520 --> 00:00:14,498 And the reason is it uses a lot of ascending and descending 5 5 00:00:14,498 --> 00:00:18,543 skills in the melody, and the left hand is a quite straightforward pattern. 6 6 00:00:18,543 --> 00:00:21,666 [MUSIC] 7 7 00:00:21,666 --> 00:00:23,105 So let's try the right hand. 8 8 00:00:23,105 --> 00:00:24,789 Just watch the fingering carefully. 9 9 00:00:24,789 --> 00:00:34,016 [MUSIC] 10 10 00:00:34,016 --> 00:00:36,971 And this is one of the ascending scales, so watch the fingering here. 11 11 00:00:36,971 --> 00:00:40,883 [SOUND] One, [SOUND] four. 12 12 00:00:40,883 --> 00:00:43,361 Eventually you got to turn your four over so you can get right down to the bottom. 13 13 00:00:43,361 --> 00:00:53,361 [MUSIC]. 14 14 00:00:55,296 --> 00:00:59,509 And this one's going to be slightly different, C sharp. 15 15 00:00:59,509 --> 00:01:01,927 [MUSIC] 16 16 00:01:01,927 --> 00:01:03,518 And your gonna branch up the two. 17 17 00:01:03,518 --> 00:01:13,518 [MUSIC] 18 18 00:01:16,449 --> 00:01:21,389 So the left hand, first of all notice that the notation uses two right hand 19 19 00:01:21,389 --> 00:01:24,990 treble clefs for the first four and two quarter bars. 20 20 00:01:24,990 --> 00:01:26,520 It's just to make it easier to note it. 21 21 00:01:26,520 --> 00:01:30,720 Cuz the left hand's ridden so high up the piano, rather than putting it on langs and 22 22 00:01:30,720 --> 00:01:35,110 spaces above the bass cleft, it just root it on the treble cleft and 23 23 00:01:35,110 --> 00:01:36,680 put it underneath the right hand. 24 24 00:01:36,680 --> 00:01:38,250 Just makes it easier. 25 25 00:01:38,250 --> 00:01:40,385 So that lower note there is actually middle C. 26 26 00:01:40,385 --> 00:01:44,471 [MUSIC] 27 27 00:01:44,471 --> 00:01:46,003 And your tendency is to want to keep doing that. 28 28 00:01:46,003 --> 00:01:48,534 [MUSIC] 29 29 00:01:48,534 --> 00:01:51,257 But it changes. [MUSIC] 30 30 00:01:51,257 --> 00:01:53,765 And again. [MUSIC] 31 31 00:01:53,765 --> 00:01:54,316 And again. 32 32 00:01:54,316 --> 00:01:57,184 [MUSIC] 33 33 00:01:57,184 --> 00:02:00,020 And this is where it changes back to the bass clef, so 34 34 00:02:00,020 --> 00:02:03,894 that first note on that bar is still on a treble clef but it's left hand. 35 35 00:02:03,894 --> 00:02:07,504 [MUSIC] 36 36 00:02:07,504 --> 00:02:08,660 And that's where it changes there. 37 37 00:02:08,660 --> 00:02:11,608 [MUSIC] 38 38 00:02:11,608 --> 00:02:13,286 Wherever hands now back onto the base clef. 39 39 00:02:13,286 --> 00:02:14,011 Okay? 40 40 00:02:14,011 --> 00:02:17,657 The other thing to look out for is the last two bars. 41 41 00:02:17,657 --> 00:02:20,913 So it's just a good pattern to consider. 42 42 00:02:20,913 --> 00:02:28,267 [MUSIC] 43 43 00:02:28,267 --> 00:02:29,359 So that's up a G chord 44 44 00:02:29,359 --> 00:02:31,153 [MUSIC] 45 45 00:02:31,153 --> 00:02:31,779 And C chord. 46 46 00:02:31,779 --> 00:02:34,484 Okay and G again. 47 47 00:02:34,484 --> 00:02:40,228 Now when your playing hands together, 48 48 00:02:40,228 --> 00:02:44,237 take it extremely slowly. 49 49 00:02:44,237 --> 00:02:54,237 [MUSIC] 50 50 00:03:03,396 --> 00:03:05,051 Okay and then so that's what's going to change. 51 51 00:03:05,051 --> 00:03:14,978 [MUSIC] 52 52 00:03:14,978 --> 00:03:17,223 And so on.