1 1 00:00:00,390 --> 00:00:01,000 Other scales. 2 2 00:00:01,000 --> 00:00:05,330 There are a few other types of scales worth exploring. 3 3 00:00:05,330 --> 00:00:09,780 Diminished Scales, Wholetone Scales and Chromatic Scales. 4 4 00:00:09,780 --> 00:00:12,110 It's not vital that you learn at this stage. 5 5 00:00:12,110 --> 00:00:13,300 Learn the major and minor scales first. 6 6 00:00:13,300 --> 00:00:18,510 And just play these if you've got a good grasp of the other scales. 7 7 00:00:18,510 --> 00:00:20,320 Let's start with the Diminished Scales. 8 8 00:00:21,550 --> 00:00:25,260 These are used along with diminished chords, and as with the chords, 9 9 00:00:25,260 --> 00:00:29,440 these diminished scales are unusual in their configuration. 10 10 00:00:29,440 --> 00:00:30,320 So that helps you remember them. 11 11 00:00:30,320 --> 00:00:36,059 You may remember that we used three shifts to cover all the diminished chords. 12 12 00:00:36,059 --> 00:00:40,271 [MUSIC] 13 13 00:00:40,271 --> 00:00:43,870 So you could play four diminished chords with that shift. 14 14 00:00:43,870 --> 00:00:46,845 Play C diminished, E flat diminished. 15 15 00:00:46,845 --> 00:00:53,668 [SOUND] G flat diminished, or A diminished. 16 16 00:00:53,668 --> 00:00:57,620 So they're all contained with in that. 17 17 00:00:57,620 --> 00:01:00,924 Likewise, second shift and the third shift. 18 18 00:01:00,924 --> 00:01:02,344 [SOUND] So, likewise, 19 19 00:01:02,344 --> 00:01:06,997 there are three diminished skills that will cover all the chords as well. 20 20 00:01:06,997 --> 00:01:11,245 So rather than expand exactly how they're formed theoretically, 21 21 00:01:11,245 --> 00:01:15,230 I'm going to show you some memory tricks for learning scales. 22 22 00:01:15,230 --> 00:01:17,630 Remember, play first, ask questions later. 23 23 00:01:19,460 --> 00:01:22,809 You'll notice that there are certain patterns within the scales that stand out. 24 24 00:01:24,470 --> 00:01:27,380 So look at the top pattern that covers the diminished scales of C diminished, 25 25 00:01:27,380 --> 00:01:29,636 E flat diminished, G flat diminished, and A diminished. 26 26 00:01:29,636 --> 00:01:36,606 [MUSIC] 27 27 00:01:36,606 --> 00:01:38,478 Okay, now you can see some patterns in there, for instance, 28 28 00:01:38,478 --> 00:01:39,456 there's four notes together. 29 29 00:01:39,456 --> 00:01:44,731 [MUSIC] 30 30 00:01:44,731 --> 00:01:48,000 And then these four notes as well. 31 31 00:01:48,000 --> 00:01:49,299 That's whites with blacks in the middle. 32 32 00:01:49,299 --> 00:01:50,877 So two blacks and whites on either side. 33 33 00:01:50,877 --> 00:01:54,390 So those four. 34 34 00:01:54,390 --> 00:02:01,663 [MUSIC] 35 35 00:02:01,663 --> 00:02:08,096 Okay. [MUSIC] 36 36 00:02:08,096 --> 00:02:09,936 So you can just remember those type of shifts and 37 37 00:02:09,936 --> 00:02:11,323 that will get you used to the sound. 38 38 00:02:11,323 --> 00:02:14,334 It just means you won't have to think about what you're playing, 39 39 00:02:14,334 --> 00:02:16,978 what notes you're playing, if you memorize those shifts 40 40 00:02:16,978 --> 00:02:21,229 [MUSIC] 41 41 00:02:21,229 --> 00:02:23,218 Then at least you can start playing and 42 42 00:02:23,218 --> 00:02:25,965 start getting used to the sound in your In your ears. 43 43 00:02:25,965 --> 00:02:28,519 Okay? Second shift. 44 44 00:02:28,519 --> 00:02:35,023 [MUSIC] 45 45 00:02:35,023 --> 00:02:39,110 Now notice again, two distinct shifts in there. 46 46 00:02:39,110 --> 00:02:41,924 So, two whites and the two blacks. 47 47 00:02:41,924 --> 00:02:46,344 [SOUND] And then almost in reverse, two other black and two, so 48 48 00:02:46,344 --> 00:02:49,492 that goes like that and that goes like that. 49 49 00:02:49,492 --> 00:02:57,040 [MUSIC] 50 50 00:02:57,040 --> 00:02:58,337 Okay. [MUSIC] 51 51 00:02:58,337 --> 00:02:59,259 And that will go on down. 52 52 00:02:59,259 --> 00:03:03,043 The third shift, again it's like the first one but 53 53 00:03:03,043 --> 00:03:06,665 just the same patterns in different positions. 54 54 00:03:06,665 --> 00:03:08,459 So you'll get the four notes together there. 55 55 00:03:08,459 --> 00:03:10,537 [MUSIC] 56 56 00:03:10,537 --> 00:03:11,257 And then this pattern. 57 57 00:03:11,257 --> 00:03:12,783 [MUSIC] 58 58 00:03:12,783 --> 00:03:17,872 [INAUDIBLE] So they're almost like two separate [INAUDIBLE]. 59 59 00:03:17,872 --> 00:03:24,349 [MUSIC] 60 60 00:03:24,349 --> 00:03:28,100 Okay, and those are used along with your diminished chords. 61 61 00:03:30,020 --> 00:03:30,840 Wholetone Scales. 62 62 00:03:30,840 --> 00:03:33,380 And you won't be using this scale a lot either. 63 63 00:03:33,380 --> 00:03:36,180 So again it's more important to learn the majors and the minors. 64 64 00:03:36,180 --> 00:03:37,860 But it's interesting to try this scale. 65 65 00:03:37,860 --> 00:03:41,020 It's relatively easy and it's a bit of fun. 66 66 00:03:41,020 --> 00:03:43,745 So you may be able to introduce it into your jazz progressions. 67 67 00:03:43,745 --> 00:03:47,495 The scale is generally used over a seventh chord, 68 68 00:03:47,495 --> 00:03:51,523 [SOUND] whose fifth is either sharpened or flattened. 69 69 00:03:51,523 --> 00:04:01,017 [MUSIC] 70 70 00:04:01,017 --> 00:04:03,089 Okay, it's a very distinctive sound. 71 71 00:04:03,089 --> 00:04:05,214 It's sometimes referred to as the cartoon scale. 72 72 00:04:05,214 --> 00:04:10,200 [MUSIC] 73 73 00:04:10,200 --> 00:04:13,728 You can see a very distinctive shape as well. 74 74 00:04:13,728 --> 00:04:15,306 Three whites, three blacks, three whites, three blacks. 75 75 00:04:15,306 --> 00:04:21,780 [MUSIC] 76 76 00:04:21,780 --> 00:04:24,031 And there are only two of these scales, so they're very easy to remember. 77 77 00:04:24,031 --> 00:04:27,740 The other one, the other distinctive shift is two blacks, four whites. 78 78 00:04:27,740 --> 00:04:35,314 [MUSIC] 79 79 00:04:35,314 --> 00:04:38,244 Now with fingering you can either use for the first one, 80 80 00:04:38,244 --> 00:04:40,435 one, three, one, two, three, four. 81 81 00:04:40,435 --> 00:04:43,746 [MUSIC] 82 82 00:04:43,746 --> 00:04:46,120 Or you can even use both hands, so. 83 83 00:04:46,120 --> 00:04:51,716 [MUSIC] 84 84 00:04:51,716 --> 00:04:52,216 Okay. 85 85 00:04:52,216 --> 00:04:58,071 [MUSIC] 86 86 00:04:58,071 --> 00:05:01,803 Now, Chromatic Scales. And this scale you are much more likely to 87 87 00:05:01,803 --> 00:05:05,170 use in many of your improvisations. 88 88 00:05:05,170 --> 00:05:08,281 Chromatic movement is when you move up or down in half steps. 89 89 00:05:08,281 --> 00:05:11,473 [MUSIC] 90 90 00:05:11,473 --> 00:05:15,095 Remember the shortest distance between two notes on the piano is a half step. 91 91 00:05:15,095 --> 00:05:25,193 [MUSIC] 92 92 00:05:25,193 --> 00:05:28,819 So you'll use parts of this scale in various places to lead from one chord 93 93 00:05:28,819 --> 00:05:31,149 into another or passing note to a melody note. 94 94 00:05:31,149 --> 00:05:35,683 When you practice this scale, start on a new key each time. 95 95 00:05:35,683 --> 00:05:37,210 Don't always just start from C. 96 96 00:05:37,210 --> 00:05:38,318 So, you'll start with C. 97 97 00:05:38,318 --> 00:05:41,392 [MUSIC] 98 98 00:05:41,392 --> 00:05:42,526 And start D flat. 99 99 00:05:42,526 --> 00:05:53,091 [MUSIC] 100 100 00:05:53,091 --> 00:05:53,707 And so on. 101 101 00:05:53,707 --> 00:05:57,502 And the fingering is nearly always one and 102 102 00:05:57,502 --> 00:06:01,847 three [SOUND] except when you hit these two gaps. 103 103 00:06:01,847 --> 00:06:03,983 Okay? Then it's one and two, back to three. 104 104 00:06:03,983 --> 00:06:07,559 Two, two, two. 105 105 00:06:07,559 --> 00:06:13,953 [MUSIC] 106 106 00:06:13,953 --> 00:06:18,585 Two, two, and so on. 107 107 00:06:18,585 --> 00:06:21,249 So just practice that up and down. 108 108 00:06:21,249 --> 00:06:22,219 It's very useful. 109 109 00:06:22,219 --> 00:06:27,443 [MUSIC] 110 110 00:06:27,443 --> 00:06:30,166 So remember, you will use it in your improvisations. 111 111 00:06:30,166 --> 00:06:32,226 Remember Frere Jacque. 112 112 00:06:32,226 --> 00:06:39,387 [MUSIC] 113 113 00:06:39,387 --> 00:06:40,781 Or in the like of the D minor jazz. 114 114 00:06:40,781 --> 00:06:50,781 [MUSIC] 115 115 00:06:53,431 --> 00:06:54,370 Very useful.