1 1 00:00:00,169 --> 00:00:02,831 Arpeggio practice, minor and diminished chords. 2 2 00:00:02,831 --> 00:00:06,122 Once you have practiced with your major chords, 3 3 00:00:06,122 --> 00:00:09,840 [MUSIC] 4 4 00:00:09,840 --> 00:00:11,608 You can attempt the minor chords. 5 5 00:00:11,608 --> 00:00:16,748 [MUSIC] 6 6 00:00:16,748 --> 00:00:19,416 Basically you just do the same practice, but with the minor chords, 7 7 00:00:19,416 --> 00:00:20,202 rather than major. 8 8 00:00:20,202 --> 00:00:23,595 A fun exercise later will make this more interesting. 9 9 00:00:23,595 --> 00:00:25,342 So you'll start with C minor. 10 10 00:00:25,342 --> 00:00:29,223 [MUSIC] 11 11 00:00:29,223 --> 00:00:32,128 And you want D flat minor, so you just find the chord. 12 12 00:00:32,128 --> 00:00:38,670 [MUSIC] 13 13 00:00:38,670 --> 00:00:43,526 And D minor. [MUSIC] 14 14 00:00:43,526 --> 00:00:44,141 And so on. But 15 15 00:00:44,141 --> 00:00:46,655 now let's look at diminished arpeggios. 16 16 00:00:46,655 --> 00:00:49,715 It's good to know these because they're very simple, but 17 17 00:00:49,715 --> 00:00:53,459 they're also very effective, and they add into your improvisations. 18 18 00:00:53,459 --> 00:00:55,470 They bring a lot of color to a progression. 19 19 00:00:55,470 --> 00:01:00,911 You may remember in book five you played an A ballad style left hand, 20 20 00:01:00,911 --> 00:01:04,735 [SOUND] and you were playing a G half diminished. 21 21 00:01:04,735 --> 00:01:06,807 [MUSIC] 22 22 00:01:06,807 --> 00:01:07,559 You started on the B flat. 23 23 00:01:07,559 --> 00:01:14,833 [MUSIC] 24 24 00:01:14,833 --> 00:01:16,530 So you created a really nice thing, 25 25 00:01:16,530 --> 00:01:19,424 just with the use of a diminished arpeggio in the right hand. 26 26 00:01:19,424 --> 00:01:22,492 So look at the three different shapes for the arpeggios. 27 27 00:01:22,492 --> 00:01:26,170 So you remember that they're very distinct shapes. 28 28 00:01:26,170 --> 00:01:28,201 [SOUND] Let's play it in the left hand first. 29 29 00:01:28,201 --> 00:01:31,472 [SOUND] That's your first shape, very symmetrical. 30 30 00:01:31,472 --> 00:01:35,377 [SOUND] Second one there, similarly symmetrical, 31 31 00:01:35,377 --> 00:01:39,477 in reverse almost, black, white, white, black. 32 32 00:01:39,477 --> 00:01:43,378 [SOUND] Third one symmetrical but sort of the odd one out. 33 33 00:01:43,378 --> 00:01:49,367 [SOUND] So in the right hand you just follow that and 34 34 00:01:49,367 --> 00:01:52,297 follow the fingering. 35 35 00:01:52,297 --> 00:01:53,740 One, two, three. 36 36 00:01:53,740 --> 00:01:57,559 One, two, three, four, [SOUND] okay? 37 37 00:01:57,559 --> 00:02:03,431 [MUSIC] 38 38 00:02:03,431 --> 00:02:03,939 Second one. 39 39 00:02:03,939 --> 00:02:12,614 [MUSIC] 40 40 00:02:12,614 --> 00:02:13,346 And third one. 41 41 00:02:13,346 --> 00:02:23,463 [MUSIC] 42 42 00:02:23,463 --> 00:02:23,983 So they're not too difficult, so learn them, 43 43 00:02:23,983 --> 00:02:24,503 there are only three of them, very simple, and 44 44 00:02:24,503 --> 00:02:25,282 it's a great way to sound very professional with a minimum of effort.