1 1 00:00:00,004 --> 00:00:05,100 Melodic patterns number two, combining patterns. 2 2 00:00:05,100 --> 00:00:08,870 The following is a mixture of two of the patterns from the previous lesson. 3 3 00:00:10,370 --> 00:00:14,850 Triplets rhythm gives the pattern a lot of drive and excitement. 4 4 00:00:14,850 --> 00:00:15,950 You can hear it driving forward. 5 5 00:00:15,950 --> 00:00:18,086 This make it great if you're improvising jazz. 6 6 00:00:18,086 --> 00:00:19,836 Gives it a nice swing feel. 7 7 00:00:19,836 --> 00:00:21,003 So the top pattern there, 8 8 00:00:21,003 --> 00:00:24,753 [MUSIC]. 9 9 00:00:24,753 --> 00:00:28,211 Now there's different ways that you can give accent to that pattern. 10 10 00:00:28,211 --> 00:00:29,045 You can play it straight, 11 11 00:00:29,045 --> 00:00:33,753 [MUSIC] 12 12 00:00:33,753 --> 00:00:35,378 Or you can accent it a different way. 13 13 00:00:35,378 --> 00:00:39,961 [MUSIC] 14 14 00:00:39,961 --> 00:00:40,836 Or. 15 15 00:00:40,836 --> 00:00:45,670 [MUSIC] 16 16 00:00:45,670 --> 00:00:47,378 You can hear it's slightly different. 17 17 00:00:47,378 --> 00:00:49,836 It sounds different each time you play it. 18 18 00:00:49,836 --> 00:00:53,128 So, it's up to you what you want to do with that. 19 19 00:00:53,128 --> 00:00:54,045 On the way down it's 20 20 00:00:54,045 --> 00:01:01,461 [MUSIC] 21 21 00:01:01,461 --> 00:01:02,961 Again, the accent you can play it straight. 22 22 00:01:02,961 --> 00:01:07,586 [MUSIC] 23 23 00:01:07,586 --> 00:01:10,378 It's almost like a two note pattern cuz it only sounds like you're. 24 24 00:01:10,378 --> 00:01:13,420 [MUSIC] 25 25 00:01:13,420 --> 00:01:14,128 So. 26 26 00:01:14,128 --> 00:01:19,878 [MUSIC] 27 27 00:01:19,878 --> 00:01:21,437 So that's more like a two note pattern, but 28 28 00:01:21,437 --> 00:01:22,921 you can play it like a three note pattern. 29 29 00:01:22,921 --> 00:01:28,420 [MUSIC] 30 30 00:01:28,420 --> 00:01:30,128 Can you hear the difference? 31 31 00:01:30,128 --> 00:01:32,920 So you can try that with some of your jazz chords. 32 32 00:01:32,920 --> 00:01:37,860 Sometimes it's nice with the D minor seven jazz because it again can use Scale 33 33 00:01:37,860 --> 00:01:39,004 of D minor seven. 34 34 00:01:39,004 --> 00:01:42,086 [SOUND] This is all white keys, anyways, so. 35 35 00:01:42,086 --> 00:01:52,086 [MUSIC] 36 36 00:01:54,711 --> 00:01:57,378 Now, the two note patterns. 37 37 00:01:57,378 --> 00:02:01,988 Budding improvisers tend to think they have to use really complicated patterns to 38 38 00:02:01,988 --> 00:02:05,878 sound good, but these simple two note patterns can sound great too. 39 39 00:02:05,878 --> 00:02:09,211 Especially if they are combined together with other patterns. 40 40 00:02:09,211 --> 00:02:10,378 So it's just simple. 41 41 00:02:10,378 --> 00:02:20,378 [MUSIC] 42 42 00:02:26,503 --> 00:02:28,003 So it's basically just repeating. 43 43 00:02:28,003 --> 00:02:38,003 [MUSIC] 44 44 00:02:41,461 --> 00:02:42,417 And back down. [SOUND] So 45 45 00:02:42,417 --> 00:02:45,045 it's really a two note pattern moved down. 46 46 00:02:45,045 --> 00:02:48,461 [MUSIC] 47 47 00:02:48,461 --> 00:02:50,086 But that means one of the notes is repeated. 48 48 00:02:50,086 --> 00:02:56,586 [MUSIC] 49 49 00:02:56,586 --> 00:03:01,295 So you could maybe try that over jazz chords like the chordal fragments. 50 50 00:03:01,295 --> 00:03:11,295 [MUSIC] 51 51 00:03:25,086 --> 00:03:26,550 Just keep experimenting.