1 1 00:00:00,400 --> 00:00:03,130 Blues Practice 1, Basic Blues Workout. 2 2 00:00:03,130 --> 00:00:07,590 Now that you're practicing lots of different patterns in different keys, 3 3 00:00:07,590 --> 00:00:12,270 it's a good idea to practice your blues chords and scales in those keys as well. 4 4 00:00:12,270 --> 00:00:15,600 And that way you'll be able to throw in some blues if you feel the urge. 5 5 00:00:17,850 --> 00:00:22,880 Begin by improvising your scales over your three standard blues chords in that key. 6 6 00:00:24,190 --> 00:00:27,320 So you can either stick to using the relevant blues scale for 7 7 00:00:27,320 --> 00:00:29,170 that key over all the three chords, or 8 8 00:00:30,190 --> 00:00:35,200 you can also use the relevant blues scale or flattened seventh scale for each chord. 9 9 00:00:36,440 --> 00:00:39,830 This helps develop the ability to use particular scales for 10 10 00:00:39,830 --> 00:00:43,150 particular chords rather than just the one blues scale throughout. 11 11 00:00:44,400 --> 00:00:45,910 So, to find the blues scale for 12 12 00:00:45,910 --> 00:00:50,030 a chord, first of all find the notes of the minor seventh chord. 13 13 00:00:51,180 --> 00:00:54,069 So, if you want a blues scale for C, find the minor 7. 14 14 00:00:54,069 --> 00:00:56,043 [MUSIC] 15 15 00:00:56,043 --> 00:00:58,329 There's minor, [SOUND] C minor. 16 16 00:00:58,329 --> 00:01:00,188 [SOUND] There's the seventh. 17 17 00:01:00,188 --> 00:01:05,666 Add in the fourth and the fifth, the flattened fifth [SOUND] of the scale. 18 18 00:01:05,666 --> 00:01:09,847 [MUSIC] 19 19 00:01:09,847 --> 00:01:14,511 So, there's the first, [SOUND] flattened third of the minor, fourth, 20 20 00:01:14,511 --> 00:01:18,728 the flattened fifth, the fifth, seventh, and the root again. 21 21 00:01:18,728 --> 00:01:20,609 [MUSIC] 22 22 00:01:20,609 --> 00:01:24,010 So, basically, if you find [SOUND] the minor 7. 23 23 00:01:24,010 --> 00:01:25,588 [MUSIC] 24 24 00:01:25,588 --> 00:01:30,546 And then before the fifth add in the two tones beside it. 25 25 00:01:30,546 --> 00:01:35,085 [MUSIC] 26 26 00:01:35,085 --> 00:01:39,161 So let's look at blues scale for D. 27 27 00:01:39,161 --> 00:01:43,501 So you find the minor seventh which is D, F, A, C. 28 28 00:01:43,501 --> 00:01:49,687 [SOUND] And then near the fifth you do the two notes to the left. 29 29 00:01:49,687 --> 00:01:58,546 [MUSIC] 30 30 00:01:58,546 --> 00:02:00,529 So you can do that for any chord. 31 31 00:02:00,529 --> 00:02:02,874 And to find the seventh scale for a chord, 32 32 00:02:02,874 --> 00:02:07,171 it can either be called flattened seventh scale or dominant seventh scale. 33 33 00:02:07,171 --> 00:02:09,482 It's the same as the major scale but the seventh is flat. 34 34 00:02:09,482 --> 00:02:14,683 So in C, if you were looking for C seventh scale, there's C major seven scale. 35 35 00:02:14,683 --> 00:02:16,528 [MUSIC] 36 36 00:02:16,528 --> 00:02:19,152 So that's the major seventh, so flatten that. 37 37 00:02:19,152 --> 00:02:24,922 [MUSIC] 38 38 00:02:24,922 --> 00:02:27,104 And that's what you play over C7. 39 39 00:02:27,104 --> 00:02:28,127 [MUSIC] 40 40 00:02:28,127 --> 00:02:29,102 So there's C7. 41 41 00:02:29,102 --> 00:02:34,245 [MUSIC] 42 42 00:02:34,245 --> 00:02:39,189 So for each key, you're going to have three voicings for the blues chords. 43 43 00:02:39,189 --> 00:02:41,744 So in C you have C, root and seventh. 44 44 00:02:41,744 --> 00:02:43,161 [MUSIC] 45 45 00:02:43,161 --> 00:02:45,389 F middle seventh, we're leaving at the root. 46 46 00:02:45,389 --> 00:02:47,061 [MUSIC] 47 47 00:02:47,061 --> 00:02:48,849 G7 backwards, no fifth. 48 48 00:02:48,849 --> 00:02:50,301 [MUSIC] 49 49 00:02:50,301 --> 00:02:51,565 Back to C. 50 50 00:02:51,565 --> 00:02:53,690 [MUSIC] 51 51 00:02:53,690 --> 00:02:56,140 And you can either use your C blues up throughout. 52 52 00:02:56,140 --> 00:03:06,959 [MUSIC] 53 53 00:03:06,959 --> 00:03:09,339 Or you can use C blues over the C7. 54 54 00:03:09,339 --> 00:03:12,684 [MUSIC] 55 55 00:03:12,684 --> 00:03:15,586 And then F blues scale over the F7. 56 56 00:03:15,586 --> 00:03:19,487 [MUSIC] 57 57 00:03:19,487 --> 00:03:21,738 And then a G blues scale over the G7. 58 58 00:03:21,738 --> 00:03:29,599 [MUSIC] 59 59 00:03:29,599 --> 00:03:33,604 Or you could use C7 scale over the C7 chord. 60 60 00:03:33,604 --> 00:03:36,644 [MUSIC] 61 61 00:03:36,644 --> 00:03:38,502 F7 scale over the F7 chord. 62 62 00:03:38,502 --> 00:03:41,278 [MUSIC] 63 63 00:03:41,278 --> 00:03:43,644 G7 scale over the G7 chord. 64 64 00:03:43,644 --> 00:03:51,366 [MUSIC] 65 65 00:03:51,366 --> 00:03:54,720 And as you do that, just practice and experiment. 66 66 00:03:54,720 --> 00:03:55,320 And then when you've finished, tick the box for each key.