1 1 00:00:00,470 --> 00:00:02,170 Blues practice number three. 2 2 00:00:02,170 --> 00:00:03,900 Traditional Jazz Blues progression. 3 3 00:00:05,110 --> 00:00:08,900 This practice is based around the traditional Jazz Blues progression. 4 4 00:00:08,900 --> 00:00:10,449 Remember you played it in the key of F. 5 5 00:00:10,449 --> 00:00:20,449 [MUSIC] 6 6 00:00:38,670 --> 00:00:41,773 So the practice here is to change that to every key, and 7 7 00:00:41,773 --> 00:00:43,871 when you do that you'll learn a lot. 8 8 00:00:43,871 --> 00:00:48,341 You can either try and play this similar riff again, same right hand patterns. 9 9 00:00:48,341 --> 00:00:51,953 Or just improvise over the same chord changes in the new key with 10 10 00:00:51,953 --> 00:00:52,982 the blues scale. 11 11 00:00:52,982 --> 00:00:56,941 Let's look at it in C instead of F. 12 12 00:00:56,941 --> 00:00:59,606 First let's go through the chords. 13 13 00:00:59,606 --> 00:01:01,027 Your C7. 14 14 00:01:01,027 --> 00:01:02,477 [MUSIC] 15 15 00:01:02,477 --> 00:01:03,029 Root and 7. 16 16 00:01:03,029 --> 00:01:06,139 F7, middle with the 7. 17 17 00:01:06,139 --> 00:01:08,049 [MUSIC]. 18 18 00:01:08,049 --> 00:01:08,630 Back to C7. 19 19 00:01:08,630 --> 00:01:09,350 [MUSIC] 20 20 00:01:09,350 --> 00:01:10,894 And, again, F7 middle. 21 21 00:01:10,894 --> 00:01:12,184 [MUSIC] 22 22 00:01:12,184 --> 00:01:13,199 Your F sharp diminished. 23 23 00:01:13,199 --> 00:01:19,900 It's an F sharp half diminished 7 you're gonna play, but that shape will cover it. 24 24 00:01:19,900 --> 00:01:25,900 So you can start that there, back to C7. 25 25 00:01:25,900 --> 00:01:31,250 And your A7 is just going to be the root and the seventh again. 26 26 00:01:31,250 --> 00:01:33,820 And your D minor 7. 27 27 00:01:33,820 --> 00:01:36,109 D minor 7 sounds okay as a four note chord. 28 28 00:01:37,300 --> 00:01:39,580 Because of where it is in the piano. 29 29 00:01:39,580 --> 00:01:41,563 So if you went down to G and played a four note chord would sound far too muddy. 30 30 00:01:41,563 --> 00:01:44,216 So again that will be root and 7. 31 31 00:01:44,216 --> 00:01:47,375 [MUSIC] 32 32 00:01:47,375 --> 00:01:50,190 Back to C7. 33 33 00:01:50,190 --> 00:01:55,949 So let's try a similar pattern, same riffs over the new chords. 34 34 00:01:55,949 --> 00:01:59,862 What you're trying to do is get something similar, and you're trying to pick out 35 35 00:01:59,862 --> 00:02:03,605 the tune that you just played, put it into, transpose it to these new chords, 36 36 00:02:03,605 --> 00:02:06,895 doesn't have to be completely accurate, just something similar, 37 37 00:02:06,895 --> 00:02:10,442 and that will get your ears used to picking out a tune and changing the key. 38 38 00:02:10,442 --> 00:02:13,206 So obviously it ends. 39 39 00:02:13,206 --> 00:02:13,729 We started in F. 40 40 00:02:13,729 --> 00:02:15,656 [MUSIC] 41 41 00:02:15,656 --> 00:02:16,343 So with C. 42 42 00:02:16,343 --> 00:02:27,255 [MUSIC] 43 43 00:02:27,255 --> 00:02:30,239 And we're moving up to the diminished, it was just straightforward chord tones. 44 44 00:02:30,239 --> 00:02:36,108 [MUSIC] 45 45 00:02:36,108 --> 00:02:38,772 Remember that? [MUSIC] 46 46 00:02:38,772 --> 00:02:44,402 Then we went [SOUND] so. 47 47 00:02:44,402 --> 00:02:50,032 [MUSIC] 48 48 00:02:50,032 --> 00:02:50,554 Okay, you're just trying to remember. 49 49 00:02:50,554 --> 00:03:00,554 [MUSIC]