So we're going to talk about the next category, and that is sans serif.
Now, I love sans serif typefaces.
I think a lot of people, a lot of sense of typefaces.
They're basically make up a lot of different types of fonts and typefaces that we use today.
What does sans serif mean?
Well, sans serif, that means without serif in French, they lack those little serif details that we
saw in the previous typefaces and they're much more modern in appearance.
Now, there are four main classifications of sans serif typefaces.
Let's get into that.
So let's get into the first one.
The first one is called grotesque.
What a name.
Right.
Grotesques are the earliest and include fonts like Franklin Gothic and accidents, grotesque, really
nice, nice typefaces.
We got here a source sense pro, which is a really great grotesque typeface.
They're letterforms are pretty similar to some serif typefaces kind of minus in the seraphs.
So you'll see a little bit more contrast between the strokes.
So there is some thick and thin contrast here, but they just have no Saraph at the end of the letterforms.
Next, we have neo grotesque.
Now this includes some of the most common typefaces like Ariel Universe and, you know, everyone's
favorite Helvetica.
Now, when I'm comparing this to say something like a grotesque typeface, the one thing I'm looking
at is that the neocortex is much more plain in comparison.
You'll see that it's much more uniform within the typeface.
There's less contrast between thick and thin.
Definitely, definitely a good comparison between these two.
Now, the third is humanist typefaces.
Now, this includes Guille Sans, which we're actually using right here, Ruediger and Tahoma.
They're much more graphic than other sans serif typefaces, that's for sure.
You're probably wondering what exactly does that mean?
So let's take a look.
Notice how they have greater variation between different line widths.
You'll see that right here in the AI.
You'll see them in the ass just in the T, Yasim in the U.
So there is definitely much more contrast between different types of line with you.
Also notice that they're a little swooping, a kind of like it almost has a serif, you know, the little
Swoope on the T.
It's kind of just arching a little bit more up, then we'll see in something like grotesque, like Helvetica.
And lastly, we have geometric.
Now these are probably my favorite and this includes Futura, which is an amazing font and proxy, Minova.
Now, geometric sensors are more closely based on geometric shapes.
What gave that away?
If you look at the oh, that is definitely just a circle.
You can see it even reflected in other letters, like individual letters, like C and E, the T is just
like a straight stick.
Let's compare that to like gill sides where there's like Swoope.
So that's very kind of graphic.
If we look at something like grotesque, even though they're very plain in appearance, you'll see that
there is a little Swoope there.
There is a little bit more life to this typeface.
This is just like us two sticks put together, almost looks like across there.
And a G is very, very circular.
You'll notice, like I said, in the very circular, it's always a very simple.
So now that you know, all the different types of categories and classifications for sensitive typefaces,
there's some really interesting ways we can use them.
I want to jump into my next.