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So we're going to talk about the next category, and that is sans serif.

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Now, I love sans serif typefaces.

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I think a lot of people, a lot of sense of typefaces.

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They're basically make up a lot of different types of fonts and typefaces that we use today.

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What does sans serif mean?

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Well, sans serif, that means without serif in French, they lack those little serif details that we

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saw in the previous typefaces and they're much more modern in appearance.

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Now, there are four main classifications of sans serif typefaces.

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Let's get into that.

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So let's get into the first one.

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The first one is called grotesque.

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What a name.

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Right.

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Grotesques are the earliest and include fonts like Franklin Gothic and accidents, grotesque, really

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nice, nice typefaces.

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We got here a source sense pro, which is a really great grotesque typeface.

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They're letterforms are pretty similar to some serif typefaces kind of minus in the seraphs.

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So you'll see a little bit more contrast between the strokes.

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So there is some thick and thin contrast here, but they just have no Saraph at the end of the letterforms.

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Next, we have neo grotesque.

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Now this includes some of the most common typefaces like Ariel Universe and, you know, everyone's

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favorite Helvetica.

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Now, when I'm comparing this to say something like a grotesque typeface, the one thing I'm looking

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at is that the neocortex is much more plain in comparison.

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You'll see that it's much more uniform within the typeface.

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There's less contrast between thick and thin.

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Definitely, definitely a good comparison between these two.

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Now, the third is humanist typefaces.

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Now, this includes Guille Sans, which we're actually using right here, Ruediger and Tahoma.

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They're much more graphic than other sans serif typefaces, that's for sure.

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You're probably wondering what exactly does that mean?

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So let's take a look.

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Notice how they have greater variation between different line widths.

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You'll see that right here in the AI.

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You'll see them in the ass just in the T, Yasim in the U.

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So there is definitely much more contrast between different types of line with you.

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Also notice that they're a little swooping, a kind of like it almost has a serif, you know, the little

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Swoope on the T.

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It's kind of just arching a little bit more up, then we'll see in something like grotesque, like Helvetica.

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And lastly, we have geometric.

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Now these are probably my favorite and this includes Futura, which is an amazing font and proxy, Minova.

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Now, geometric sensors are more closely based on geometric shapes.

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What gave that away?

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If you look at the oh, that is definitely just a circle.

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You can see it even reflected in other letters, like individual letters, like C and E, the T is just

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like a straight stick.

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Let's compare that to like gill sides where there's like Swoope.

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So that's very kind of graphic.

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If we look at something like grotesque, even though they're very plain in appearance, you'll see that

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there is a little Swoope there.

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There is a little bit more life to this typeface.

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This is just like us two sticks put together, almost looks like across there.

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And a G is very, very circular.

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You'll notice, like I said, in the very circular, it's always a very simple.

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So now that you know, all the different types of categories and classifications for sensitive typefaces,

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there's some really interesting ways we can use them.

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I want to jump into my next.