1 00:00:00,510 --> 00:00:01,960 Everyone, welcome back. 2 00:00:02,130 --> 00:00:06,750 We're going to be talking about some of the tools that I use to check color contrast and make my designs 3 00:00:06,750 --> 00:00:08,020 a bit more accessible. 4 00:00:08,520 --> 00:00:15,780 Then we'll jump quickly into Fatema to debunk some things around our contrast ratios being a rule rather 5 00:00:15,780 --> 00:00:16,570 than a guideline. 6 00:00:17,130 --> 00:00:19,570 So let's take a look at color safe over here. 7 00:00:19,890 --> 00:00:20,970 So this is color safe. 8 00:00:20,980 --> 00:00:26,270 Allow me to pick color palettes based off of my goals and let's just jump in and get started. 9 00:00:26,310 --> 00:00:29,340 I'll show you what that means so I could get started. 10 00:00:29,340 --> 00:00:34,590 And right here we can set up our canvas and our text so I can set up background colors. 11 00:00:34,590 --> 00:00:38,160 I can set up for families all the font size font weights. 12 00:00:38,610 --> 00:00:40,290 I can even set up standards. 13 00:00:40,620 --> 00:00:43,290 You can go and learn more at the website over here. 14 00:00:43,290 --> 00:00:48,790 But typically we're aiming for double standards and this is what the textbook look like. 15 00:00:48,840 --> 00:00:51,290 I think this is fine to just get started. 16 00:00:51,300 --> 00:00:53,430 So I'm going to do is I'm going to click generate color palette. 17 00:00:55,080 --> 00:01:00,840 So what this does is it generates a ton of color palettes based off of different colours like green, 18 00:01:00,840 --> 00:01:07,440 blue, purple, you can also sort by all and you'll be able to see all of the contrast, applicable 19 00:01:07,440 --> 00:01:07,960 colors. 20 00:01:08,310 --> 00:01:15,720 So what I can do here is I can pick this purple and you'll notice that the current ratio meets the standard. 21 00:01:16,170 --> 00:01:22,740 I get a little hex value here that all you do is click on and I copy's to my clipboard and I can bring 22 00:01:22,740 --> 00:01:27,570 that right into Frogmore and start creating a color palette based off of some colors that I've picked, 23 00:01:27,990 --> 00:01:29,030 which is really cool. 24 00:01:29,940 --> 00:01:31,680 You can see that this one's been copied. 25 00:01:32,950 --> 00:01:37,180 You can see all these other ones over here, which is really great. 26 00:01:39,010 --> 00:01:43,280 And you can just start over if you want to, if you want to go back and set up that canvas again. 27 00:01:43,960 --> 00:01:46,790 Now, the next tool I like to use is called colorable. 28 00:01:47,440 --> 00:01:49,180 Now, I just love this interface. 29 00:01:49,550 --> 00:01:50,260 It's just nice. 30 00:01:50,260 --> 00:01:51,040 It's punchy. 31 00:01:51,340 --> 00:01:57,550 And what's really nice and cool about it is that you can see if it's a complaint or a complaint right 32 00:01:57,550 --> 00:01:58,030 at the top. 33 00:01:58,030 --> 00:01:59,740 You don't necessarily need to set anything. 34 00:01:59,740 --> 00:02:05,980 You can just jump right in and start fiddling away if you have a couple of colors that you already have 35 00:02:05,980 --> 00:02:06,610 in mind. 36 00:02:06,790 --> 00:02:09,370 It's a great way to just kind of input them right away. 37 00:02:09,760 --> 00:02:15,520 Another thing is like if you really want to just fiddle around with colors, this is probably the best 38 00:02:15,520 --> 00:02:16,460 tool to do so. 39 00:02:16,930 --> 00:02:22,390 So you can see like white on this very, very light sky blue fails in all aspects. 40 00:02:25,750 --> 00:02:31,480 And you'll see that it still keeps on failing, probably until we get a little darker, so you can see 41 00:02:32,020 --> 00:02:34,420 this is good for larger text and. 42 00:02:36,240 --> 00:02:38,700 Smaller text, and now it's triple-A compliant. 43 00:02:39,240 --> 00:02:45,270 So this is another really cool tool where you can also do as you can reverse these. 44 00:02:46,620 --> 00:02:51,290 And you can see what it looks like reversed when you reversed the foreground and the background colors. 45 00:02:51,600 --> 00:02:52,800 So this is an awesome tool. 46 00:02:52,800 --> 00:02:57,510 If you want to fiddle around with colors really quickly or test a color or hex code that you have in 47 00:02:57,510 --> 00:02:57,830 mind. 48 00:02:59,040 --> 00:03:05,540 Now, what I typically use our sigma plug ins because it's just so quick for your actual workflow, 49 00:03:06,000 --> 00:03:10,290 the main figure plug in that I actually use is called. 50 00:03:11,340 --> 00:03:17,340 Contrast, so I'll bring that up right now, so I have a couple of buttons here and I'm going to show 51 00:03:17,340 --> 00:03:18,920 you how that works with contrast. 52 00:03:18,930 --> 00:03:25,650 But what I really want to show you is that these buttons are actually accessible and they they are readable. 53 00:03:26,040 --> 00:03:30,330 And but I think that they're not the greatest. 54 00:03:30,330 --> 00:03:31,850 So I'll show you what that looks like. 55 00:03:32,010 --> 00:03:39,090 So all I need to do is I need to select this text inside this frame and it'll show me exactly here if 56 00:03:39,090 --> 00:03:40,980 it meets the contrast standards. 57 00:03:42,280 --> 00:03:47,840 You'll see the foreground and background and it meets all the standards right across the board. 58 00:03:48,130 --> 00:03:50,750 Let's see, even with the orange, same thing. 59 00:03:50,770 --> 00:03:53,140 We'll show you the contrast ratio here as well. 60 00:03:53,380 --> 00:03:58,420 And I find this is like the quickest way to just test your designs even when you're just creating concepts. 61 00:03:59,230 --> 00:04:05,650 So I'm going to do here is I'm going to actually create a double a duplicate over here and I'm going 62 00:04:05,650 --> 00:04:07,620 to show you what it looks like with white. 63 00:04:08,170 --> 00:04:09,220 So I'm going to change that. 64 00:04:09,230 --> 00:04:13,890 And another great thing about this is that it's going to update on the fly. 65 00:04:14,200 --> 00:04:15,790 So let's go and pick white. 66 00:04:16,030 --> 00:04:22,360 The color X code for that is F, F for a short form or three or six FS. 67 00:04:23,550 --> 00:04:30,750 Now, what we got here is that it totally fails, the contrast ratio is not good enough and I think 68 00:04:30,750 --> 00:04:33,090 it's going to fail as well for the orange. 69 00:04:34,020 --> 00:04:39,100 Let's change that, and yet it does fail here for the orange. 70 00:04:39,120 --> 00:04:42,300 The contrast is just a bit better than it is on the blue. 71 00:04:42,670 --> 00:04:44,190 Actually, oh yeah. 72 00:04:44,220 --> 00:04:45,510 It's just a bit better. 73 00:04:45,570 --> 00:04:46,190 Just a tad. 74 00:04:46,530 --> 00:04:48,600 So let's just close this plug in. 75 00:04:50,000 --> 00:04:56,720 And if you notice, I feel like I can read the white on the blue better than I can read the black on 76 00:04:56,720 --> 00:05:02,750 the blue, and so this is going to come down to you testing with your users because those are guidelines 77 00:05:02,930 --> 00:05:06,550 and you don't necessarily need to follow them like they're law. 78 00:05:07,010 --> 00:05:13,580 So take that into account when you're designing and coming up with color palettes or intended uses for 79 00:05:13,580 --> 00:05:14,210 your colors. 80 00:05:14,630 --> 00:05:21,530 Because there may be a case like this where a white on a blue may actually be really readable and it 81 00:05:21,530 --> 00:05:23,690 doesn't necessarily mean a contrast standard. 82 00:05:24,660 --> 00:05:32,340 So keep that in mind, another plug in is stark, which is pretty, pretty popular, all you need to 83 00:05:32,340 --> 00:05:33,870 do is like check contrast. 84 00:05:34,050 --> 00:05:40,560 So I need select a layer sogginess like that layer and check the contrast really quickly so you can 85 00:05:40,560 --> 00:05:42,810 see that it comes up right away. 86 00:05:42,840 --> 00:05:44,160 You can upgrade and pay. 87 00:05:44,520 --> 00:05:46,260 But I mean, I feel like. 88 00:05:47,260 --> 00:05:54,490 This does it much better color where it contrasts, where this plug in is much better, just because 89 00:05:54,490 --> 00:05:59,260 you can do it on the fly, you don't need to keep on selecting it or closing it or you don't even need 90 00:05:59,260 --> 00:06:00,050 to pay for it. 91 00:06:00,070 --> 00:06:06,710 So this is a great way to check what colors will work right on the fly. 92 00:06:07,030 --> 00:06:09,880 So like I said over here, keep that in mind. 93 00:06:10,720 --> 00:06:13,480 These are guidelines that aren't necessarily law. 94 00:06:13,480 --> 00:06:17,260 So use what is best for you and what's best for your users. 95 00:06:17,830 --> 00:06:23,530 And yeah, that's basically it for the tools that I use to check my contrast.