0 1 00:00:00,520 --> 00:00:01,800 Meet 1 2 00:00:01,830 --> 00:00:02,340 Lingscars 2 3 00:00:02,340 --> 00:00:03,330 .com 3 4 00:00:03,360 --> 00:00:05,790 One of the most terrifying websites I've ever seen. 4 5 00:00:06,090 --> 00:00:06,620 What is that 5 6 00:00:06,620 --> 00:00:09,300 make some websites so hilariously terrible? 6 7 00:00:09,480 --> 00:00:12,410 And what makes others look well designed? 7 8 00:00:12,740 --> 00:00:16,290 We've already covered the first big reason, the alignment. 8 9 00:00:16,290 --> 00:00:18,220 This page hates alignment. 9 10 00:00:18,300 --> 00:00:19,610 Its anti-aligned. 10 11 00:00:19,650 --> 00:00:22,160 The second big reason is a visual hierarchy. 11 12 00:00:22,260 --> 00:00:28,310 Every object on this Godforsaken page demands our attention. All at the same time. 12 13 00:00:28,350 --> 00:00:34,260 We don't know where to look at, where to start our journey. And that can be so overwhelming, that we would 13 14 00:00:34,260 --> 00:00:39,420 rather close the page. Now on this page, there is a very strong visual hierarchy. 14 15 00:00:39,420 --> 00:00:41,980 What's the first thing that you looked at. 15 16 00:00:42,000 --> 00:00:47,060 Probably either that funky colorful art on the right or the headline. 16 17 00:00:47,130 --> 00:00:49,720 Then comes the rest of the elements one by one. 17 18 00:00:49,730 --> 00:00:55,200 This composition took us by the hand and guided us step by step, on what was the most important information 18 19 00:00:55,200 --> 00:00:57,660 first, then second and so on. 19 20 00:00:57,810 --> 00:00:59,250 Check out the two buttons. 20 21 00:00:59,250 --> 00:01:01,710 There is a clear hierarchy even between them. 21 22 00:01:01,710 --> 00:01:04,500 Obviously the full button is the alpha dog. 22 23 00:01:04,500 --> 00:01:11,070 This is called a visual hierarchy and it's a fundamental principle of good design. Visual hierarchy has 23 24 00:01:11,070 --> 00:01:13,350 a lot to do with the way our attention works. 24 25 00:01:13,350 --> 00:01:16,470 We simply cannot focus on more than one thing at a time. 25 26 00:01:16,470 --> 00:01:19,420 This is especially true of our vision. 26 27 00:01:19,560 --> 00:01:25,770 The only very small fraction of what we see, what we look at, is a high definition. 27 28 00:01:25,770 --> 00:01:31,800 The rest is low-resolution peripheral blurriness. 28 29 00:01:31,890 --> 00:01:32,640 Do this. 29 30 00:01:32,790 --> 00:01:40,230 Make a thumbs-up sign put your hand in front of you and look directly at your thumbnail. 30 31 00:01:40,360 --> 00:01:48,420 That small thumbnail is the high definition, is the only high definition, that you see. The rest of it 31 32 00:01:48,420 --> 00:01:51,010 is low-res and quite blurry. 32 33 00:01:51,060 --> 00:01:53,990 The hierarchy in design begins with a focal point. 33 34 00:01:54,030 --> 00:01:59,190 Tom Hanks sitting on the bench, is the undeniable visual target of this poster. 34 35 00:01:59,190 --> 00:02:01,440 It's the most interesting thing. 35 36 00:02:01,500 --> 00:02:04,920 Think of a focal point as a spotlight on a stage. 36 37 00:02:05,010 --> 00:02:10,800 You see how the stage is not actually lit? it's dark and all the spotlights are shining on Michael Jackson, 37 38 00:02:10,800 --> 00:02:15,360 making him the obvious focal point of this stage. 38 39 00:02:15,360 --> 00:02:20,050 If they had the stage completely lit, then everything else would be visible. 39 40 00:02:20,190 --> 00:02:24,960 But that is not their aim. Our visual interest is obviously on Michael and the stage 40 41 00:02:24,960 --> 00:02:32,430 designers have made sure to give audience exactly that. Look at this design, this graphic guy is the focal 41 42 00:02:32,430 --> 00:02:34,180 point of this composition. 42 43 00:02:34,200 --> 00:02:36,180 He's the main hero in it. 43 44 00:02:36,180 --> 00:02:40,770 That's exactly why, we refer to the main graphic on the page, as the hero shot. 44 45 00:02:41,460 --> 00:02:44,660 Let's do a little self-critique of one of my early works. 45 46 00:02:44,670 --> 00:02:48,390 This is the landing page that I've built for a real estate agency, 46 47 00:02:48,420 --> 00:02:54,070 I cringe a little when I see a design mistakes in some of my early work. But what you gona do, 47 48 00:02:54,180 --> 00:02:55,710 it's the learning process. 48 49 00:02:55,710 --> 00:03:00,190 The clear villain of this work is definitely a lack of proper visual hierarchy. 49 50 00:03:00,330 --> 00:03:04,710 The form sort of is, unsuccessfully, trying to be the focal point. 50 51 00:03:04,710 --> 00:03:10,140 However, it's not supposed to be on top of the hierarchy, it's not the main message of this page. 51 52 00:03:10,140 --> 00:03:17,230 So, how come it's trying to steal so much attention. When there is a big background image like this, 52 53 00:03:17,250 --> 00:03:23,280 usually, it's because we want it to be the hero. For the audience to start there, but that's not happening 53 54 00:03:23,280 --> 00:03:23,540 here. 54 55 00:03:23,550 --> 00:03:27,820 It's dark, low quality and it's not clear what the hell is happening in the image. 55 56 00:03:27,840 --> 00:03:33,930 Not to mention how the huge form and the text is covering so much of it. Makes me wonder what is this 56 57 00:03:33,930 --> 00:03:34,680 image doing here 57 58 00:03:34,680 --> 00:03:39,070 altogether? It has no value, it's just adding more noise to the composition. 58 59 00:03:39,080 --> 00:03:41,890 A plain background would be a huge improvement to this. 59 60 00:03:41,970 --> 00:03:42,810 Same with the copy. 60 61 00:03:42,830 --> 00:03:48,300 There is no clear hierarchy, it's hard to tell where a headline ends and where paragraph begins, because 61 62 00:03:48,300 --> 00:03:50,160 they're so similar in style. 62 63 00:03:50,160 --> 00:03:55,380 When we see good design, a lot of times, it's the visual hierarchy that contributes to its beauty. 63 64 00:03:55,380 --> 00:03:59,570 Let's say, we're designing a website for a made-up lawyer called Vincent Schwartz. 64 65 00:03:59,670 --> 00:04:01,970 What is the most important thing on this page? 65 66 00:04:01,980 --> 00:04:08,070 Is it the fact that he is a Boston lawyer? Or is it his long record? Or is it his photo? 66 67 00:04:08,100 --> 00:04:10,020 We don't know, because there's no hierarchy. 67 68 00:04:10,020 --> 00:04:10,990 Everything looks equal. 68 69 00:04:11,010 --> 00:04:13,050 We can't really follow the narrative. 69 70 00:04:13,050 --> 00:04:14,390 This is a whole different story. 70 71 00:04:14,400 --> 00:04:17,360 It's a 100% improvement and I haven't done much. 71 72 00:04:17,370 --> 00:04:23,160 I've used a few design tricks, to create a clear hierarchy between the objects. And I'm going to teach 72 73 00:04:23,160 --> 00:04:26,500 you all about these tricks later in this part of the course, 73 74 00:04:26,640 --> 00:04:33,360 so you can take something that looks like an amateur placing elements on the page randomly, and turn 74 75 00:04:33,360 --> 00:04:37,180 it into a well-polished work that you can get paid really well for. 75 76 00:04:37,200 --> 00:04:39,090 Let's break down the hierarchy in here. 76 77 00:04:39,090 --> 00:04:40,770 Do we have a focal point? 77 78 00:04:41,340 --> 00:04:46,460 Obviously, it's the photo of Vincent. And how's the rest of the hierarchy laid out? 78 79 00:04:46,560 --> 00:04:51,150 The second in importance I'd say the name tag, because how close it is to the focal point. 79 80 00:04:51,270 --> 00:04:52,230 It's part of it, 80 81 00:04:52,230 --> 00:04:56,170 so the viewer will glance at the image and the name, in one quick go. 81 82 00:04:56,310 --> 00:05:03,320 Then the bold all caps headline. Fourth, actually the button before the text, because it's a larger object 82 83 00:05:03,350 --> 00:05:05,120 with some white space around it. 83 84 00:05:05,120 --> 00:05:07,010 And finally the subhead text. 84 85 00:05:07,070 --> 00:05:11,070 So, what exactly did I do here to create this visual hierarchy? 85 86 00:05:11,090 --> 00:05:13,620 How come this had nearly no hierarchy? 86 87 00:05:13,880 --> 00:05:21,950 But this has a very distinctive focal point and a clearly defined visual hierarchy among the elements. 87 88 00:05:21,980 --> 00:05:25,190 Mainly this has to do with sizes and weights of elements. 88 89 00:05:25,190 --> 00:05:28,530 Size and weight is what usually defines the hierarchy. 89 90 00:05:28,550 --> 00:05:34,040 There are other ways as well, like color contrast, or images that draw a lot of attention and so on, 90 91 00:05:34,100 --> 00:05:37,790 but designers primarily rely on size and weight. 91 92 00:05:37,790 --> 00:05:41,000 First, what I did was to increase the size of the photo. 92 93 00:05:41,000 --> 00:05:42,850 I made it the biggest element. 93 94 00:05:42,890 --> 00:05:43,740 That's it. 94 95 00:05:43,760 --> 00:05:47,120 Whatever is the biggest on the screen, will attract the most attention. 95 96 00:05:47,120 --> 00:05:48,470 It's that simple. 96 97 00:05:48,470 --> 00:05:53,260 The purple rectangle, behind the picture, is also bringing more attention to the photo. 97 98 00:05:53,270 --> 00:05:58,820 Without it, I would have to make the photo much bigger. Then I have defined the hierarchy between the 98 99 00:05:58,820 --> 00:06:01,360 headline, paragraph and the button. 99 100 00:06:01,390 --> 00:06:07,790 I've made the headline big, bold and all caps. Not only I've made the font size much bigger than the original, 100 101 00:06:07,820 --> 00:06:09,840 but I've also made it extremely bold. 101 102 00:06:09,860 --> 00:06:14,120 This boldness is what I refer to as a weight of an element. 102 103 00:06:14,120 --> 00:06:16,670 It looks heavy. In font families, 103 104 00:06:16,680 --> 00:06:19,000 you'll even see the style called Heavy. 104 105 00:06:19,160 --> 00:06:22,910 The paragraph underneath the headline is significantly smaller than the headline. 105 106 00:06:22,970 --> 00:06:24,710 It's like David and the Goliath. 106 107 00:06:24,800 --> 00:06:26,660 It's a regular font weight, 107 108 00:06:26,660 --> 00:06:32,450 small caps and small font size. And the button, I have made transparent with only the borders. 108 109 00:06:32,450 --> 00:06:34,980 This is commonly known as the ghost button. 109 110 00:06:35,030 --> 00:06:40,550 You don't usually want to use this as a primary button. But for secondary actions and in cases where 110 111 00:06:40,550 --> 00:06:44,130 you want to decrease its significance, it's a great use. 111 112 00:06:44,190 --> 00:06:49,580 And last but not least, I have used a better alignment for the content. Before it was all just centered 112 113 00:06:49,580 --> 00:06:50,480 in the middle. 113 114 00:06:50,480 --> 00:06:56,210 I do often use center alignment, but often it doesn't do a good job in making the design look polished 114 115 00:06:56,240 --> 00:07:02,600 and organized. The left alignment with a grid definitely does a better job. As a fun exercise, 115 116 00:07:02,600 --> 00:07:05,850 I want you to pay attention to the designs around you. 116 117 00:07:05,900 --> 00:07:12,140 Pay attention to the billboards and posters, flyers that people hand you, and obviously the websites. 117 118 00:07:12,230 --> 00:07:17,060 And look if the designer had used a good visual hierarchy or not. 118 119 00:07:17,060 --> 00:07:19,550 And up next we're going to practice hierarchy. 119 120 00:07:19,550 --> 00:07:20,110 Stick around.