0 1 00:00:00,120 --> 00:00:02,630 Here are 2 other methods of finding colors. 1 2 00:00:02,640 --> 00:00:08,560 First one and my favourite – stealing! There's nothing wrong with stealing colors. 2 3 00:00:08,560 --> 00:00:14,410 Unlike other creative work, colors can't really be owned by anyone. So designers borrow colors from each other 3 4 00:00:14,410 --> 00:00:15,090 all the time. 4 5 00:00:15,100 --> 00:00:19,720 This is basically sampling colors from other people's work, instead of the photography. 5 6 00:00:19,840 --> 00:00:24,670 It's also more simpler approach to finding colors, than sampling colors from the photography as we 6 7 00:00:24,670 --> 00:00:25,000 did. 7 8 00:00:25,000 --> 00:00:28,300 It's more out of the box option, that you can start applying to your work right away. 8 9 00:00:28,300 --> 00:00:31,700 There are a lot of websites that curate design work and inspiration. 9 10 00:00:31,720 --> 00:00:37,480 I have dedicated a special lesson to this. Later we dive deeper in the topic of inspiration and its 10 11 00:00:37,480 --> 00:00:39,150 importance in your workflow. 11 12 00:00:39,190 --> 00:00:43,600 For now, let's look at one place to find color inspiration – dribbble.com. 12 13 00:00:43,720 --> 00:00:45,640 You can find excellent inspiration in here. 13 14 00:00:45,640 --> 00:00:49,240 Most of the work here isn't even for real projects. 14 15 00:00:49,360 --> 00:00:54,370 It's designers show and tell. A lot of exploration ideas and practice by other designers. 15 16 00:00:54,370 --> 00:00:57,210 Let's say we are working on a finance related website. 16 17 00:00:57,220 --> 00:01:02,240 We will search by the finance keyword and get a lot of inspiration for our work. 17 18 00:01:02,290 --> 00:01:07,270 When we find colors that we like, we can either sample the color in exactly the same way as we did with 18 19 00:01:07,270 --> 00:01:14,170 photos. Just save the image and place it inside Figma and then use the Eyedropper Tool. Or use a separate 19 20 00:01:14,200 --> 00:01:18,360 Eyedropper Tool, that can sample colors from anywhere on your screen. 20 21 00:01:18,430 --> 00:01:21,840 If you're on Mac, then it already has an Eyedropper Tool. 21 22 00:01:21,850 --> 00:01:25,730 It's inside utilities called Digital Color Meter. 22 23 00:01:25,750 --> 00:01:31,390 If you're on P.C. you can use browser extensions. ColorZila for example is a pretty good chrome extension 23 24 00:01:31,390 --> 00:01:34,420 for this. 24 25 00:01:34,540 --> 00:01:39,250 The second way to find colors is through Color generator sites like Coolors.co. 25 26 00:01:39,400 --> 00:01:46,330 You can either generate palettes from scratch, or you can paste 1 or 2 colors that you want to use, 26 27 00:01:46,330 --> 00:01:49,330 and generate some other matches that will work with that color. 27 28 00:01:49,330 --> 00:01:54,760 Here's a pro tip: AVOID RAW COLORS! Raw colors are those that have 100% saturation and 28 29 00:01:54,760 --> 00:01:55,890 100% brightness. 29 30 00:01:55,900 --> 00:02:00,940 This is a mistake many non-designers make, when they for example, design presentations for school, or work, 30 31 00:02:01,480 --> 00:02:04,310 or Facebook covers and whatnot. 31 32 00:02:04,360 --> 00:02:06,290 They often use raw colors like this. 32 33 00:02:06,310 --> 00:02:12,820 We generally like colors that are present in the natural world and rarely you get such colors in nature. 33 34 00:02:12,820 --> 00:02:16,990 Even the most extreme examples like Nemo here, don't have raw colors in them. 34 35 00:02:17,110 --> 00:02:19,510 However, that doesn't mean you can never use them. 35 36 00:02:19,510 --> 00:02:23,310 There might be times when there is like trends going on, right? 36 37 00:02:23,440 --> 00:02:29,360 Or maybe you deliberately and intentionally want to use something like a very bright fluorescent green. 37 38 00:02:29,440 --> 00:02:32,370 Not a problem. As always with design, if it's intentional 38 39 00:02:32,380 --> 00:02:35,240 it's probably going to work and if it's not, it might suck.