0 1 00:00:00,160 --> 00:00:04,380 Another type of cropping is called a Soft Crop. Soft Crop doesn't have a hard edge. 1 2 00:00:04,380 --> 00:00:06,780 The image gradually fades away. 2 3 00:00:06,780 --> 00:00:10,820 This is usually done by adding a fading overlay on top of the image. 3 4 00:00:10,840 --> 00:00:16,560 When it's the same color as the canvas, especially white, it looks like the image is just fading away. 4 5 00:00:16,560 --> 00:00:17,580 It feels natural. 5 6 00:00:17,610 --> 00:00:21,290 Now we have an excellent space on the left, where we can add our content. 6 7 00:00:21,300 --> 00:00:22,850 The result looks fantastic. 7 8 00:00:22,860 --> 00:00:26,130 The content is laid out on the white part of the composition. 8 9 00:00:26,130 --> 00:00:29,650 This gives it a healthy amount of breathing space. 9 10 00:00:29,700 --> 00:00:31,560 The content is airy and free. 10 11 00:00:31,560 --> 00:00:37,220 It's naturally merging with a background image, without blocking it and creating extra noise. 11 12 00:00:37,230 --> 00:00:39,750 Are we using the design concepts that we've learned so far? 12 13 00:00:39,870 --> 00:00:41,020 You bet we are. 13 14 00:00:41,040 --> 00:00:45,420 There is a clear focal point, which is the mountain peak emerging from the clouds. 14 15 00:00:45,420 --> 00:00:50,970 The rest of the content is arranged with a proper visual hierarchy. Starting with a large and bold headline 15 16 00:00:51,120 --> 00:00:53,280 and there is a clear grid and alignment. 16 17 00:00:53,280 --> 00:00:55,970 This is a very simple yet super powerful trick. 17 18 00:00:56,040 --> 00:01:00,750 It's one of my favorite go to techniques when I'm working with images. Desktop and laptop screens are 18 19 00:01:00,750 --> 00:01:01,650 quite wide. 19 20 00:01:01,650 --> 00:01:06,420 Yet sometimes you find the perfect image, but it's vertical. Not a good solution to use it as a background 20 21 00:01:06,420 --> 00:01:08,540 for a wide screen section like this. 21 22 00:01:08,550 --> 00:01:14,520 Most of the image is oddly cropped and loses its meaning. It's too confusing and busy to look at. And there 22 23 00:01:14,520 --> 00:01:17,450 is practically no space to layout our content. 23 24 00:01:17,490 --> 00:01:24,570 Nearly never ever you want to place a vertical image as a background for a full-width section. With a 24 25 00:01:24,570 --> 00:01:25,230 soft crop, 25 26 00:01:25,230 --> 00:01:27,000 we have a totally different result. 26 27 00:01:27,030 --> 00:01:32,400 The photo maintains all its important aspects. And we have a perfect space to place the content on. 27 28 00:01:32,610 --> 00:01:39,210 This layout has a clear focal point, which is the guy obviously. And the content has great readability, 28 29 00:01:39,240 --> 00:01:40,950 because it's on a white background. 29 30 00:01:40,950 --> 00:01:46,090 If I use a vertical image as a full-width background, I'd get a very chaotic result. 30 31 00:01:46,200 --> 00:01:49,140 The content is merging with a focal point of the image, 31 32 00:01:49,140 --> 00:01:54,450 there is not enough visibility for the text, it's hard to read and the whole thing is just very noisy. 32 33 00:01:54,570 --> 00:01:56,940 With a soft crop on the other hand, we give 33 34 00:01:57,030 --> 00:02:03,300 each piece of this composition, its own space. Giving us a nice clean look, with high readability. Photos 34 35 00:02:03,300 --> 00:02:08,700 that I have a uniform black background, is even easier to work with. Just sample the color from the very 35 36 00:02:08,700 --> 00:02:14,010 very last pixel on the edge of the image. Fill the space with that color. Arrange the image in 36 37 00:02:14,010 --> 00:02:19,260 the position that is the most suitable. And you get easy layout, with a lot of space to place your content 37 38 00:02:19,290 --> 00:02:24,790 beautifully. Extending the edge of this image like this, can work on other colors besides black, but it 38 39 00:02:24,820 --> 00:02:28,700 needs an extra fix. On an image like this. If we fill the space, 39 40 00:02:28,710 --> 00:02:31,710 using this method, we'll get a result like this. 40 41 00:02:31,710 --> 00:02:38,160 There is a strict separation between the image and the background. Which is an evident flaw. And we never 41 42 00:02:38,160 --> 00:02:41,720 want to have a design with evident flaws like this. 42 43 00:02:41,730 --> 00:02:47,040 Hopefully, you can see that hard edge between the sand and the background color. Maybe on your computer, 43 44 00:02:47,070 --> 00:02:51,400 because of the video compression, it might be blurring out that hard edge. But it's there. 44 45 00:02:51,420 --> 00:02:56,430 This happens because real life objects are never a single color. Not even uniform objects like sand. 45 46 00:02:56,430 --> 00:03:01,520 So when we sample a single color from the object, it's only that, one single color. 46 47 00:03:01,550 --> 00:03:04,800 One way to fix this is by applying that same gradient fade. 47 48 00:03:04,830 --> 00:03:09,230 And in this case instead of using white, we will sample this exact color from that image. 48 49 00:03:09,270 --> 00:03:09,900 And done. 49 50 00:03:09,900 --> 00:03:14,790 Now the sand is smoothly and naturaly merging with the background color. On the green side, 50 51 00:03:14,820 --> 00:03:19,160 though, there is a lot of texture and more color mix, so the result doesn't look as natural. 51 52 00:03:19,170 --> 00:03:20,130 It's not bad at all. 52 53 00:03:20,130 --> 00:03:26,190 It can be used just fine. Although unlike other 3 examples, here the green appears as a gradient overlay 53 54 00:03:26,190 --> 00:03:27,480 over the image. 54 55 00:03:27,540 --> 00:03:33,150 It's more like a fading curtain on top of the image. Which is perfectly fine thing to do and you can 55 56 00:03:33,150 --> 00:03:33,960 definitely use it. 56 57 00:03:34,080 --> 00:03:38,400 However, there is one trick that I use in such cases, which gives us more pleasing look. 57 58 00:03:38,550 --> 00:03:43,860 Let me show you. If our image isn't wide enough to fill in the entire frame, we can take the part of the 58 59 00:03:43,860 --> 00:03:50,120 image that is simple, without any complicated shapes and stretch it to fill the remaining space. 59 60 00:03:50,130 --> 00:03:55,130 It's important to stretch only the part of the image instead of stretching the whole thing. A part 60 61 00:03:55,140 --> 00:03:59,430 that is simple, doesn't have a lot of details, and isn't in focus. This way 61 62 00:03:59,430 --> 00:04:03,480 the important and part of the image is crisp, with its original proportions. 62 63 00:04:03,480 --> 00:04:09,180 You can't do this with all photos. Only if the photo has already blurry background, that can afford extra 63 64 00:04:09,180 --> 00:04:15,540 stretch. Add the copy. And we have a very good looking section, that feels natural and the content is easy 64 65 00:04:15,540 --> 00:04:18,390 to read and the whole section is really well balanced. 65 66 00:04:18,390 --> 00:04:23,770 This is how simple and fun design can be, small tricks that give you great results. 66 67 00:04:23,790 --> 00:04:27,550 The knowledge of these tricks is what designers get paid good money for. 67 68 00:04:27,600 --> 00:04:32,150 My clients usually refer to this as "magic". And they will tell me, 68 69 00:04:32,190 --> 00:04:34,860 "Oh, Vako, we need a new design for this page, 69 70 00:04:34,860 --> 00:04:35,910 can you do your magic?" 70 71 00:04:36,150 --> 00:04:37,800 But it's not magic, it's science!