0 1 00:00:00,180 --> 00:00:05,120 Have you ever noticed how in movies, actors are often positioned off-centre in the frame? 1 2 00:00:05,160 --> 00:00:10,200 After you learn this, you'll never be able to not to notice and you will be obsessed about it every 2 3 00:00:10,200 --> 00:00:11,190 time you watch a movie. 3 4 00:00:11,200 --> 00:00:16,650 Movie makers and photographers use a technique called Rule of Thirds to add some visual interest 4 5 00:00:16,920 --> 00:00:17,640 to the shot. 5 6 00:00:17,640 --> 00:00:18,450 It goes like this. 6 7 00:00:18,450 --> 00:00:23,370 If you divide a screen in 3 equal parts, both vertically and horizontally, 7 8 00:00:23,370 --> 00:00:29,210 the intersection of those lines will be the visually most interesting spots to place your subject. 8 9 00:00:29,250 --> 00:00:35,610 If the object is big like Angelina Jolie here, then you'd place her across that entire vertical line. 9 10 00:00:35,640 --> 00:00:40,890 And if it's an image of landscape like this, then you would position the horizon on one of the horizontal 10 11 00:00:40,890 --> 00:00:41,440 lines. 11 12 00:00:41,490 --> 00:00:44,430 Putting a subject in the dead center is something that is expected. 12 13 00:00:44,430 --> 00:00:48,020 It's symmetric, has equal space around it, it's safe and comfortable. 13 14 00:00:48,030 --> 00:00:51,960 That's also what a non-photographer would usually do, or a non-designer. 14 15 00:00:52,080 --> 00:00:56,670 He would grab a camera and point directly at this object. And that's usually boring. 15 16 00:00:56,700 --> 00:00:59,970 But placing your subject off center, creates tension. 16 17 00:01:00,000 --> 00:01:05,520 It's unexpected, yet looks intentional. Like there is a specific hidden reason behind this 17 18 00:01:05,520 --> 00:01:07,500 and we want to know what it is. 18 19 00:01:07,500 --> 00:01:09,440 A camera app on your phone probably has this option. 19 20 00:01:09,440 --> 00:01:12,840 I know iPhone does. Turn it on and try it. 20 21 00:01:12,840 --> 00:01:16,980 Your photos will significantly improve by doing so. To demonstrate this point, 21 22 00:01:16,980 --> 00:01:18,680 let's take a look at this simple example. 22 23 00:01:18,690 --> 00:01:23,880 We have a box that is placed in the dead center of the canvas. The distance between the edges of the canvas 23 24 00:01:23,880 --> 00:01:25,980 and the box are identical on all sides. 24 25 00:01:25,980 --> 00:01:29,580 The result is symmetrical, stationary and box is it at rest. 25 26 00:01:29,580 --> 00:01:30,450 It's not moving. 26 27 00:01:30,570 --> 00:01:34,060 If we move the box a little off center, it instantly adds tension. 27 28 00:01:34,080 --> 00:01:39,240 But this is not a good kind of tension, because it looks like the box is supposed to be in the center, 28 29 00:01:39,280 --> 00:01:40,200 but it's not. 29 30 00:01:40,200 --> 00:01:44,790 This looks like an error. That a designer missclicked or didn't notice. 30 31 00:01:44,820 --> 00:01:49,850 But if we move the box quite far off-centre, then the result looks intentional. 31 32 00:01:49,860 --> 00:01:54,590 It doesn't look like it was meant to be in the center, but that it's deliberately out of balance. 32 33 00:01:54,600 --> 00:01:58,280 This creates a good kind of tension giving us a visual interest. 33 34 00:01:58,320 --> 00:02:04,110 The rule of thirds isn't a law, it's more of a soft guideline. You can sometimes go quite far from those 34 35 00:02:04,200 --> 00:02:05,520 intersection points. 35 36 00:02:05,520 --> 00:02:08,430 This rule comes super handy when you work with faces. 36 37 00:02:08,440 --> 00:02:09,770 Take a look at this example. 37 38 00:02:09,810 --> 00:02:15,750 The face of this model is in the center of the frame. And this makes it appear like he's too low in the 38 39 00:02:15,750 --> 00:02:16,410 frame. 39 40 00:02:16,410 --> 00:02:23,130 The empty space above his head is sort of pressing him down. To fix this, we move the model on one of 40 41 00:02:23,130 --> 00:02:28,620 the top intersection points. Use always the eyes as your guide. Eyes are the focal point of any human 41 42 00:02:28,620 --> 00:02:29,040 face. 42 43 00:02:29,040 --> 00:02:30,840 That's where we always look at first. 43 44 00:02:30,840 --> 00:02:36,380 Now this is much better look. And the space above him is small enough, so it's not pressing down on him. 44 45 00:02:36,570 --> 00:02:42,090 And another great news, this works no matter the size of the face. The person can be far in the frame 45 46 00:02:42,120 --> 00:02:43,770 or in extreme close up. 46 47 00:02:43,770 --> 00:02:48,930 As long as we keep those eyes aligned, with that intersection point, it will always look correct. 47 48 00:02:48,930 --> 00:02:50,680 Watch what happens when we zoom in. 48 49 00:02:50,730 --> 00:02:52,290 Still looking great. 49 50 00:02:52,440 --> 00:02:53,540 Let's zoom in more. 50 51 00:02:53,670 --> 00:02:54,260 Looking great. 51 52 00:02:54,270 --> 00:02:56,270 No doubt. One last time. 52 53 00:02:56,340 --> 00:02:59,040 Still looks good. No matter how far we zoom in. 53 54 00:02:59,070 --> 00:03:04,410 This is the beauty of rule of thirds. It's a super simple guideline yet can make photos look way better. 54 55 00:03:05,030 --> 00:03:05,410 Now, 55 56 00:03:05,460 --> 00:03:08,900 rule of thirds is a soft guideline and it has exceptions. 56 57 00:03:08,910 --> 00:03:11,390 There are a lot of cases when you will have better results, 57 58 00:03:11,580 --> 00:03:16,500 if you don't follow this rule. On an image like this, the center is the best position and you shouldn't 58 59 00:03:16,500 --> 00:03:17,670 use the rule of thirds. 59 60 00:03:17,670 --> 00:03:17,990 Why? 60 61 00:03:18,000 --> 00:03:21,790 Because the central point of view is the intention here. 61 62 00:03:21,810 --> 00:03:24,600 The photo is in a first person perspective. 62 63 00:03:24,600 --> 00:03:30,990 We are seeing the view from the guy's eyes. And with his perspective obviously the most natural placement 63 64 00:03:30,990 --> 00:03:34,860 is center, because it wouldn't make sense for him to see things sideways. 64 65 00:03:34,860 --> 00:03:38,110 There are more examples of center position being the correct choice. 65 66 00:03:38,310 --> 00:03:43,200 For instance, when the subject placement and other elements in the image, actually create the visual 66 67 00:03:43,200 --> 00:03:48,690 interest in the center. The road edges, the yellow road marking in the middle, the gap between the 67 68 00:03:48,690 --> 00:03:49,800 palm trees. 68 69 00:03:49,890 --> 00:03:52,950 All that is creating visual interest in the middle. 69 70 00:03:52,950 --> 00:03:58,170 Keeping this rule in mind, helps you pick out good, better photos when you're searching for them on stock 70 71 00:03:58,170 --> 00:03:59,420 photography sites. 71 72 00:03:59,430 --> 00:04:05,010 For example if you're looking for a photo for a split screen, like in our exercise. Then in those cases 72 73 00:04:05,010 --> 00:04:10,680 a photo with a model that is in the center, is a better choice. Because in cases of a split-screen you 73 74 00:04:10,680 --> 00:04:15,870 get this narrow, portrait mode of the photo. And in the narrow photos, 74 75 00:04:15,900 --> 00:04:18,180 it's not the best option to use, 75 76 00:04:18,240 --> 00:04:19,010 rule of thirds. 76 77 00:04:19,050 --> 00:04:24,240 But if you're looking for a background photo, especially one where you're going to place a content on, 77 78 00:04:24,600 --> 00:04:27,390 then off center the alignment will be the best bet. 78 79 00:04:27,810 --> 00:04:34,560 So this way, you'll look through the photos and you'll find the one, where there is enough room for you to 79 80 00:04:34,560 --> 00:04:38,850 move a subject towards one of the lines of the rule of thirds.