0 1 00:00:00,150 --> 00:00:03,120 Do you know what's the easiest way to tell good design from bad one? 1 2 00:00:03,180 --> 00:00:04,660 It's through consistency. 2 3 00:00:04,710 --> 00:00:12,290 Looking at the website and noticing how consistent the layout, typography, colors and all of that is. 3 4 00:00:12,300 --> 00:00:14,500 Inconsistency is very easy to tell. 4 5 00:00:14,520 --> 00:00:21,180 We are wired to recognize patterns in everything we look at. And noticing breaks in those patterns is 5 6 00:00:21,180 --> 00:00:22,520 very easy for us to tell. 6 7 00:00:22,530 --> 00:00:27,270 Breaking the pattern is sort of like a glitch in the Matrix. And sometimes it's hard to tell exactly 7 8 00:00:27,300 --> 00:00:31,100 what's breaking the pattern, yet it's always easily noticeable. 8 9 00:00:31,110 --> 00:00:37,920 Often it's better to use poor design and be consistent with it, than have nice design and be not consistent. 9 10 00:00:37,920 --> 00:00:42,560 Consistency isn't really a trick but more like a design principle. 10 11 00:00:42,570 --> 00:00:47,940 So I'm cheating here a little bit by including this as one of the design tricks. Consistency applies to 11 12 00:00:47,940 --> 00:00:48,450 everything. 12 13 00:00:48,480 --> 00:00:52,290 But I've broken it down in several categories for easier understanding. 13 14 00:00:54,870 --> 00:00:57,710 First and most obvious one is layout consistency. 14 15 00:00:57,720 --> 00:01:03,120 This is exactly the purpose of the grid. The grid is a great way to create consistency in layout. When 15 16 00:01:03,120 --> 00:01:08,370 alignment repeats on the page users notice it and start expecting things to be laid out in a certain 16 17 00:01:08,370 --> 00:01:08,860 way. 17 18 00:01:08,970 --> 00:01:13,440 When this expectation is met, the users have a joyful experience of the site and they trust the site 18 19 00:01:13,450 --> 00:01:14,570 a bit more. 19 20 00:01:14,610 --> 00:01:19,710 One way I see web designers often break layout consistency is by mixing different text alignments together. 20 21 00:01:19,710 --> 00:01:24,180 All three elements on this frame are aligned in the center with each other. Or at least their containing 21 22 00:01:24,180 --> 00:01:24,860 boxes are. 22 23 00:01:25,020 --> 00:01:27,540 But paragraph text is left aligned. 23 24 00:01:27,540 --> 00:01:31,380 This is breaking the layout consistency and making the design look sloppy. 24 25 00:01:31,380 --> 00:01:34,170 We have to choose one style of alignment and stick with it. 25 26 00:01:34,500 --> 00:01:39,420 Either we center align everything. Or left-aligned them. Either of these options are fine, as long as we 26 27 00:01:39,420 --> 00:01:41,400 stick with one alignment. 27 28 00:01:41,400 --> 00:01:42,930 This is an evident example. 28 29 00:01:42,930 --> 00:01:44,310 More subtle and non-evident 29 30 00:01:44,310 --> 00:01:49,130 example is when we have inconsistency between different sections of the page. 30 31 00:01:49,140 --> 00:01:54,830 For instance, the middle section has the content left-aligned, but other sections have its center aligned. 31 32 00:01:54,900 --> 00:01:58,160 This would be completely fine if this was a different type of text 32 33 00:01:58,230 --> 00:02:02,820 A secondary headline, or other. But its the same headline, but with a different alignment. 33 34 00:02:02,820 --> 00:02:08,400 This is quite subtle, as it spread between different sections. As we scroll through a page we only see 34 35 00:02:08,610 --> 00:02:13,620 one section at a time, so such a subtle inconsistency isn't too big of a crime. 35 36 00:02:13,650 --> 00:02:18,390 But it's a good habit, to stick to one style across different sections and even across different pages 36 37 00:02:18,390 --> 00:02:19,050 of the website. 37 38 00:02:21,600 --> 00:02:24,690 Creating consistency in typography is quite simple. 38 39 00:02:24,690 --> 00:02:29,010 We just need to create specific font styles for each occasion and then stick with it. 39 40 00:02:29,010 --> 00:02:31,050 A website has several different types of text. 40 41 00:02:31,050 --> 00:02:32,640 There are main headlines. 41 42 00:02:32,640 --> 00:02:34,280 Those are usually the biggest size. 42 43 00:02:34,290 --> 00:02:38,020 Then you have smaller level headlines, like titles and subtitles. 43 44 00:02:38,070 --> 00:02:40,920 You have obviously the paragraph text and you have buttons. 44 45 00:02:40,920 --> 00:02:45,570 You can have more. For example, tiny captions and footnote text, menu links and so on. 45 46 00:02:45,570 --> 00:02:48,990 The key is to define a single style for each occasion and stick with it. 46 47 00:02:48,990 --> 00:02:54,150 For example, having one paragraph style and keep with it across sections, pages and everywhere on the 47 48 00:02:54,150 --> 00:02:56,150 site. In Figma and in Webflow 48 49 00:02:56,160 --> 00:03:01,560 this text styling is actually one of the features. So we will practice creating text styles in our real projects. 49 50 00:03:04,140 --> 00:03:07,290 Colour consistency almost doesn't need any explanation. 50 51 00:03:07,320 --> 00:03:12,630 It is the most evident and simplest to see. Most of the time we are working with the existing brand and 51 52 00:03:12,630 --> 00:03:13,500 a logo. 52 53 00:03:13,500 --> 00:03:18,540 This means colors have been defined for the company. And these colors have to be consistent not just within 53 54 00:03:18,540 --> 00:03:20,060 the website but across 54 55 00:03:20,070 --> 00:03:25,200 it's all a representation. Flyers, business cars, PDF's, front office and so on. 55 56 00:03:25,200 --> 00:03:29,580 In times where we don't have defined brand colours, then we do this ourselves. 56 57 00:03:29,580 --> 00:03:35,310 We usually choose one or two primary colors, like the blue and green in this example. And the rest of 57 58 00:03:35,310 --> 00:03:39,320 the colors are monotone blacks, greys and whites. 58 59 00:03:41,800 --> 00:03:47,170 One way we might break consistency is by mixing different shapes on the page. On a page like this that 59 60 00:03:47,170 --> 00:03:49,790 has this smooth, rounded wavy edge. 60 61 00:03:49,810 --> 00:03:55,300 Introducing an angled shape like this would break the consistency. Making it look very odd. But keeping 61 62 00:03:55,300 --> 00:03:59,770 with the same smooth shapes, would create the consistency across the page. 62 63 00:03:59,770 --> 00:04:04,510 It doesn't have to be same exact shape. As long as the shape has similar characteristics. 63 64 00:04:04,510 --> 00:04:08,730 This inconsistency with shapes can actually happen in very unexpected places. 64 65 00:04:08,740 --> 00:04:13,060 For example, when we use cutouts like this. They create smooth edges on the page. 65 66 00:04:13,060 --> 00:04:18,370 They are not evident, but they are there. And when we place a none-cutout, regular boxed photo on 66 67 00:04:18,370 --> 00:04:24,360 the next section. We are introducing a new conflicting shape. All of a sudden from smooth, natural edges, it went 67 68 00:04:24,360 --> 00:04:26,190 to very strict, straight, hard lines. 68 69 00:04:26,200 --> 00:04:29,100 And it even created this new shape that wasn't there before. 69 70 00:04:29,140 --> 00:04:34,420 Just like I mentioned in optical illusion lesson. Placing objects and shapes on a black canvas, will 70 71 00:04:34,420 --> 00:04:37,030 affect that canvas and create new shapes. 71 72 00:04:37,030 --> 00:04:43,120 This is especially true to straight lines and rectangles. But if we use cutout again, then those hard 72 73 00:04:43,120 --> 00:04:50,710 lines and foreign shapes disappear and the section becomes consistent with the above, hero section. 73 74 00:04:50,710 --> 00:04:51,550 When it comes to photos, 74 75 00:04:51,550 --> 00:04:55,090 we have to be consistent with the style of photos as well. By style 75 76 00:04:55,090 --> 00:05:00,580 I mean sort of a photographic style. Like colors, filters, the way models look and so on. 76 77 00:05:00,610 --> 00:05:05,610 In this example, for instance, I didn't do a good job at choosing same style photos. 77 78 00:05:05,620 --> 00:05:09,580 The left one has more polished look. Whereas the second is more natural. 78 79 00:05:09,640 --> 00:05:11,740 The camera works seems quite different too. 79 80 00:05:11,740 --> 00:05:17,650 I'm not a photographer, but I can notice that this is not taken in the same studio, nor by same photographer. 80 81 00:05:17,650 --> 00:05:22,270 Most of these photos will have very different style between them. Because they are taken by different 81 82 00:05:22,270 --> 00:05:24,940 photographers and in different scenarios. 82 83 00:05:24,970 --> 00:05:30,070 It can be quite tricky to maintain consistency, but there is a way. One way is to pick images from the 83 84 00:05:30,070 --> 00:05:31,390 same contributor. 84 85 00:05:31,390 --> 00:05:37,090 I've mentioned this before many stock sites will have this option - to see photos from the same contributor. 85 86 00:05:37,180 --> 00:05:44,020 Meaning from the same photo studio or photographer. And if we pick photos from the same contributor then 86 87 00:05:44,020 --> 00:05:50,890 we will more or less get the same results. Because the same photographer will have sort of same style, 87 88 00:05:50,890 --> 00:05:56,590 same camera and same habits of taking photos. Although not 100% stays the same because sometimes 88 89 00:05:56,590 --> 00:06:01,420 they will have just different shoots, and different ways of shooting in different scenarios. So, also 89 90 00:06:01,420 --> 00:06:03,730 their styles can change from year to year. 90 91 00:06:03,730 --> 00:06:08,140 This is a very simple and excellent way to make your design consistent and show that it's a high quality 91 92 00:06:08,140 --> 00:06:08,680 design. 92 93 00:06:08,680 --> 00:06:13,060 I know this sounds like an insane detail to pay attention to, but when it comes to design, devil is in 93 94 00:06:13,060 --> 00:06:18,670 details. Attention to these tiny details is what differentiates a mediocre designer from a top-notch one. 94 95 00:06:21,430 --> 00:06:26,880 One final place I want to discuss consistency is icons and illustrations. Web is full of icons and illustrations. 95 96 00:06:26,890 --> 00:06:31,750 They are an excellent way to show different actions, demonstrate some complicated concept or simply to 96 97 00:06:31,750 --> 00:06:36,530 give a design a unique look. Just like photography, combining icons with different styles would create 97 98 00:06:36,530 --> 00:06:39,510 a very inconsistent and unpolished look. Not fun! 98 99 00:06:39,550 --> 00:06:43,810 As a matter of fact, icons and illustrations are even more unforgiving than regular photos. 99 100 00:06:43,810 --> 00:06:47,310 In this example, the third icon is a different style than first two. 100 101 00:06:47,350 --> 00:06:51,250 It's the same color palette, similar rounded shapes, but it still looks out of place. 101 102 00:06:51,250 --> 00:06:54,080 The difference is only in one small detail in fact. 102 103 00:06:54,130 --> 00:06:56,290 First two icons have outline stroke on them. 103 104 00:06:56,410 --> 00:07:00,010 It's that black line that outlines each object in the drawing. 104 105 00:07:00,010 --> 00:07:01,510 But third one doesn't have it. 105 106 00:07:01,630 --> 00:07:04,370 And it creates a completely different look. 106 107 00:07:04,510 --> 00:07:09,850 In this example, all three icons are from the same pack and have the same exact style. Although the same 107 108 00:07:09,850 --> 00:07:14,830 size, the first two have thinner lines, when the last one is a little thicker. 108 109 00:07:14,830 --> 00:07:20,240 Third icon is poking my eyes. A non-designer client won't notice exactly what's wrong with it. 109 110 00:07:20,440 --> 00:07:25,630 They might not be able to put a finger on it, but they will pick up such inconsistencies and will not 110 111 00:07:25,630 --> 00:07:31,050 feel like the design is very good. To avoid such inconsistencies in icons and illustrations, 111 112 00:07:31,060 --> 00:07:32,460 just like with stock photos, 112 113 00:07:32,560 --> 00:07:34,420 pick them from the same source. 113 114 00:07:34,450 --> 00:07:36,400 My favorite place to get icons is Flaticon.com. 114 115 00:07:36,400 --> 00:07:42,070 Icons here and elsewhere are usually organized by packs. All icons within the same pack 115 116 00:07:42,100 --> 00:07:45,640 are going to have the same style, sizes, thickness of lines and all that. 116 117 00:07:45,700 --> 00:07:51,060 When picking icons for your projects look for packs rather than individual icons from different packs. 117 118 00:07:51,070 --> 00:07:55,900 This will give you a look that is consistent and polished. And will have you designing like a pro.